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    African Art Reframed: Reflections and Dialogues on Museum Culture

    African Art Reframed by Jules-Rosette, Bennetta; Osborn, J.R.;

    Reflections and Dialogues on Museum Culture

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      • Publisher's listprice GBP 100.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        45 150 Ft (43 000 Ft + 5% VAT)
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      • Discounted price 36 120 Ft (34 400 Ft + 5% VAT)
      • Discount is valid until: 30 June 2026

    45 150 Ft

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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

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    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1st Edition
    • Publisher University of Illinois Press
    • Date of Publication 22 June 2020
    • Number of Volumes Hardback

    • ISBN 9780252043277
    • Binding Hardback
    • No. of pages408 pages
    • Size 235x156x36 mm
    • Weight 966 g
    • Language English
    • Illustrations 26 color photographs, 59 black & white photographs, 7 charts
    • 14

    Categories

    Long description:

    Once seen as a collection of artifacts and ritual objects, African art now commands respect from museums and collectors. Bennetta Jules-Rosette and J.R. Osborn explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa.

    The authors take a three-pronged approach. Part One ranges from curiosity cabinets to virtual websites to offer a history of ethnographic and art museums and look at their organization and methods of reaching out to the public. In the second part, the authors examine museums as ecosystems and communities within communities, and they use semiotic methods to analyze images, signs, and symbols drawn from the experiences of curators and artists. The third part introduces innovative strategies for displaying, disseminating, and reclaiming African art. The authors also propose how to reinterpret the art inside and outside the museum and show ways of remixing the results.

    Drawing on extensive conversations with curators, collectors, and artists, African Art Reframed is an essential guide to building new exchanges and connections in the dynamic worlds of African and global art.

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    Table of Contents:

    List of Illustrations
    Foreword by Simon Njami
    Preface and Acknowledgments
    Introduction: Reframing African Art

    PART I: ENTERING MUSEUMS AT THE THRESHOLD
    CHAPTER 1. Lost and Found: Postcolonial Reflections on Colonial Museums
    CHAPTER 2. Revisiting the Storeroom: Collections and Cultural Surplus
    CHAPTER 3. Reaching Out: Museums, Audiences, and the Public Sphere

    PART II: DIALOGUES ON MUSEUM PRACTICES AND ART WORLDS
    CHAPTER 4. Museums Speak Out: Curators' Dialogues
    CHAPTER 5. Agitating African Art: Artists' Voices and Audience Responses

    PART III: UNMIXING AFRICAN ART AND REMIXING THE RESULTS
    CHAPTER 6. The Theory and Method of Unmixing
    CHAPTER 7. Remixing the Results and Looking Ahead
    CHAPTER 8. Personal Journeys and Reflections on African Art

    Chronology
    Notes
    Bibliography
    Index

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