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  • A Reflection Through Fashion Upcycling: The Archive in Pieces

    A Reflection Through Fashion Upcycling by Cassar, Rachael;

    The Archive in Pieces

      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 145.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        69 273 Ft (65 975 Ft + 5% VAT)
      • Discount 20% (cc. 13 855 Ft off)
      • Discounted price 55 419 Ft (52 780 Ft + 5% VAT)

    69 273 Ft

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    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Short description:

    A Reflection Through Fashion Upcycling: The Archive in Pieces stands as a seminal work at the intersection of fashion studies, material culture, and sustainability discourse. This book is essential reading for scholars, researchers, and practitioners alike, and perfect for fashion enthusiasts.

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    Long description:

    A Reflection Through Fashion Upcycling: The Archive in Pieces stands as a seminal work at the intersection of fashion studies, material culture, and sustainability discourse. Authored by a distinguished, award-winning practitioner, this groundbreaking text offers a richly detailed examination of fashion upcycling through a historical and material-culture lens.


    At its core, the book transcends the traditional confines of sustainable fashion discourse by delving into the profound complexities of reuse and material culture. Drawing from a curated archive of garments dating from the late 19th to early 20th centuries, it traces the symbolic and tactile journey of deconstructing clothing and repurposing through contemporary design. The book’s originality lies in its synthesis of academic research and studio practice, positioning fashion upcycling as an intellectual and ethical act. By re-contextualising garments through experimental design, it offers fresh insight into the potential of upcycling as a means of historical preservation, critical inquiry, and cultural storytelling. The author combines rigorous scholarship, studio-based experimentation, and intimate engagement with historical artefacts to uncover layered narratives embedded within textiles. By challenging narrow interpretations of sustainable fashion, the work presents upcycling as a nuanced dialogue between past and present, ethics and aesthetics, and materiality and meaning. Through its interdisciplinary approach and meticulous scholarship, it charts a path towards a more considered, sustainable, and conscientious future for the fashion industry.


    Bridging design, history, practice, and ecological awareness, A Reflection Through Fashion Upcycling offers a rigorous yet accessible examination of fashion upcycling as a site of intellectual inquiry and ethical engagement—making it essential reading for scholars, researchers, and practitioners alike, and perfect for fashion enthusiasts and anyone intrigued by stories woven into fabric.



    A Reflection Through Fashion Upcycling is one of the rare books that explores how to build an intuitive relationship with worn garments that bear the texture of time. Rachael Cassar examines the aesthetic and emotional dimensions of touching the past through every detail—from stitch marks to fragments of thread. This work serves as both a creative journal and an inspiring, transformative resource for those interested in deep partnerships with archival objects. By positioning upcycling not merely as a technique but as a critical, reflective, and practice-driven methodology, the book makes a significant contribution to the fields of fashion, design, and memory studies.


    Dr. Sanem Odabasi, Assistant Professor of Textile and Fashion Design at Eskisehir Technical University

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    Table of Contents:

    1. Introduction: Material Entanglements and the Archive of Memory 2. Methods of Upcycling 3. Reading of the Piece: The Experience of Working with Materiality Belonging to a Deceased Estate 4. The Leftovers: Archive Object Detritus 5. Designing with Decaying, Unravelling Materials 6. Good Flowers Debris: Caring for Process Rubble 7. The New Archive (2023) 8. Conclusion: An End But Also a Beginning

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