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    A Cinematic Mode of Existence: Perspectival Analytic of the Image

    A Cinematic Mode of Existence by Kuipers, Halbe Hessel;

    Perspectival Analytic of the Image

    Series: Thinking Media;

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      • Publisher's listprice GBP 95.00
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    Product details:

    • Publisher Bloomsbury Publishing (UK)
    • Date of Publication 28 May 2026

    • ISBN 9798216373094
    • Binding Hardback
    • No. of pages288 pages
    • Size 218x144x22 mm
    • Weight 500 g
    • Language English
    • Illustrations 50 bw illus
    • 700

    Categories

    Short description:

    This book gives a new, perspectival analytic of the image attempting to break open and pluralize cinema's monolithic, modern perspective and its ontology.

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    Long description:

    A Cinematic Mode of Existence studies what images can do. Can the percepts and affects that cinematic images engender shape our eyes anew, by which we do not just see differently, but see different things and different worlds with many eyes?

    Expanding on Gilles Deleuze's work on cinema, the book practices a new, perspectival analytic of the image honed to movement. In doing immanent analyses of numerous filmic works, the book blows wide open cinema's modern constitution, its all-too-narrow, anthropocentric operative logic, and the natural mode of perception underlying it. A spiritual automaton, an extraordinary machine for perspectives, a cosmopolitical medium for the more-than-human - cinema far exceeds what we have dogmatically held it for, and only in starting to see that can we learn to live with its images in ways that they do not just haunt and possess us.

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    Table of Contents:

    Preface: Cinema Today

    Introduction: Moving Images Beyond

    Part I: ON PERCEPTS
    1. What is a Perspective? In Castaing-Taylor and Paravel's Leviathan
    2. The Nature of the Image in the Cantrills' The Room of Chromatic Mystery

    Part II: ON AFFECTS
    3. Movement, Affect, and Perspective in Yasujiro Ozu's Cinema
    4. The Image of Nature in de Putter's It's Been a Lovely Day

    Part III: ON IMAGINATIONS
    5. Our Perspective, or What is Haunting? In the Work of Renzo Martens
    6. The Spirit of the Gaze in the Work of Apichatpong Weerasethakul
    7. The Cosmopraxis of Imagination in Alexander, van Brummelen & de Haan's Stones Have Laws
    8. If an Image is a Cosmos, Is the Camera then a Cosmic-eye? A Dialogue with Sebastian Wiedemann

    Notes
    Bibliography
    Index

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