A Boy Named Sue – Gender and Country Music
Gender and Country Music
Series: American Made Music Series;
- Publisher's listprice GBP 26.99
-
12 894 Ft (12 280 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 1 289 Ft off)
- Discounted price 11 605 Ft (11 052 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
12 894 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher MP–MPP University Press of Mississippi
- Date of Publication 30 November 2004
- Number of Volumes Paperback
- ISBN 9781578066780
- Binding Paperback
- No. of pages278 pages
- Size 227x151x24 mm
- Weight 388 g
- Language English 0
Categories
Short description:
This interdisciplinary collection of essays is the first book-length effort to examine how gender conventions, both masculine and feminine, have structured the creation and marketing of country music. The essays explore the uses of gender in creating the personas of stars as diverse as Elvis Presley, Patsy Cline, and Shania Twain.
MoreLong description:
"From the smiling, sentimental mothers portrayed in 1930s radio barn dance posters, to the sexual shockwaves generated by Elvis Presley, to the female superstars redefining contemporary country music, gender roles and imagery have profoundly influenced the ways country music is made and enjoyed. Proper male and female roles have influenced the kinds of sounds and images that could be included in country music; preconceptions of gender have helped to determine the songs and artists audiences would buy or reject; and gender has shaped the identities listeners made for themselves in relation to the music they revered. This interdisciplinary collection of essays is the first book-length effort to examine how gender conventions, both masculine and feminine, have structured the creation and marketing of country music. The essays explore the uses of gender in creating the personas of stars as diverse as Elvis Presley, Patsy Cline, and Shania Twain. The authors also examine how deeply conventions have influenced the institutions and everyday experiences that give country music its image: the popular and fan press, the country music industry in Nashville, and the line dance crazes that created the dance hall boom of the 1990s. From Hank Thompson's """"The Wild Side of Life"""" to Johnny Cash's """"A Boy Named Sue,"""" from Tammy Wynette's """"Stand by Your Man"""" to Loretta Lynn's ode to birth control, """"The Pill,"""" A Boy Named Sue demonstrates the role gender played in the development of country music and its current prominence.
" More
To Establish the Commission on the Advancement of Women in Science, Engineering, and Technology Development.
5 188 HUF
4 773 HUF
What's the Big Idea?: Inventions That Changed Life on Earth Forever
9 831 HUF
9 045 HUF
