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      • Publisher's listprice GBP 45.99
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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 20 July 2026

    • ISBN 9781032535579
    • Binding Paperback
    • No. of pages220 pages
    • Size 234x156 mm
    • Language English
    • Illustrations 5 Illustrations, black & white; 5 Halftones, black & white
    • 700

    Categories

    Short description:

    Dante’s Visions: Crossing Sights on Natural Philosophy, Theory of Vision, and Medicine in the Divine Comedy and Beyond offers a fascinating insight into Dante’s engagement with the science of his time, particularly with visual perception and neurological disorders.

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    Long description:

    Dante’s Visions: Crossing Sights on Natural Philosophy, Theory of Vision, and Medicine in the Divine Comedy and Beyond offers a fascinating insight into Dante’s engagement with the science of his time, particularly with visual perception and neurological disorders. The relationship between the soul and the body and the bond between human beings and their natural environment were significant areas of interest in the medieval world. In Dante’s Divine Comedy, as well as in his Vita Nuova and Convivio, these connections are enhanced to the fullest, expressing feelings and sensations, pain and ecstasy, and physical and spiritual passions under exceptional psychological and environmental stimuli.


    Based on the research of a multidisciplinary group of scholars – including experts in Dante, the culture and history of medieval literature and philosophy, historians of science, neuroscientists, and specialists in vision and visual illusions – this book explores the poet’s psychophysical descriptions of sense perception, the theory of vision, optical illusions and deceptions of sight, neurological phenomena, and the anatomy and physiology of the human nervous system. It highlights the Aristotelian sources of his scientific culture and the influence of the Arabic sciences on their dissemination in the Western world.


    In addition to illustrating the cultural background of a poetic genius, with specific reference to the rich scientific reflections in Italy at Dante’s time, this book brings out the many opportunities for future research at the intersection of science and literature in the past.

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    Table of Contents:

    Introduction


    Cecilia Panti and Marco Piccolino


     


    Chapter 1


    Dante and Natural Philosophy


    Simon A. Gilson


     


    Chapter 2


    Visual Motion Illusions in the Classical Era and in the Middle Ages


    Nicholas J. Wade


     


    Chapter 3


    Vision as a Tangible and Dynamic Tool in the Divine Comedy. An Overview


    Marco Piccolino


     


    Chapter 4


    Moving Clouds and Bending Towers: The Illusive Motion of the Garisenda in Inferno XXXI


    Marco Piccolino


     


    Chapter 5


    Where Do Visions That Do Not Come from Sight Come from?


    Mirko Tavoni


     


    Chapter 6


    Seeing the Light: Dante and the Perspectivist Theory of Light as Proper Visible


    Cecilia Panti


     


    Chapter 7


    Visual Perception in Dante’s Commedia According to the Early Commentaries (1320-1400)


    Francesca Galli


     


    Chapter 8


    A Medical Commentary on the Signa amoris in the Vita Nuova


    Francesco Brigo


     


    Chapter 9


    Dante, Healthcare and Diseases


    Michele A. Riva and Lorenzo Lorusso


     


    Chapter 10


    Dante Neurologist and Neuroanatomist: Evidence from the Divine Comedy


    Donatella Lippi, Raffaella Bianucci, Elena Varotto, Francesco Arba, and Francesco M. Galassi

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