Time in Indian Music
Rhythm, Metre, and Form in North Indian Rag Performance
Sorozatcím: Oxford Monographs on Music;
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A termék adatai:
- Kiadó OUP Oxford
- Megjelenés dátuma 2008. augusztus 21.
- ISBN 9780195339680
- Kötéstípus Puhakötés
- Terjedelem252 oldal
- Méret 234x156x13 mm
- Súly 358 g
- Nyelv angol
- Illusztrációk numerous line figures and musical examples and free CD 0
Kategóriák
Rövid leírás:
Time in Indian Music is the first major study of rhythm, metre, and form in North Indian rag, or classical, music. Martin Clayton presents a theoretical model for the organization of time in this repertory, a model which is related explicitly to other spheres of Indian thought and culture as well as to current ideas on musical time in alternative repertories?including that of Western music. This theoretical model is elucidated and illustrated with reference to many musical examples drawn from authentic recorded performances. These examples clarify key Indian musicological concepts such as tal (metre), lay (tempo or rhythm), and laykari (rhythmic variation).
Written in a clear and accessible style and illustrated with 102 music examples and diagrams, it will appeal to anyone interested in Indian aesthetic forms and the study of musical time. The book contains a free CD of authentic recorded performances closely referred to in the text.
Hosszú leírás:
Time in Indian Music is the first major study of rhythm, metre, and form in North Indian rag, or classical, music. Martin Clayton presents a theoretical model for the organization of time in this repertory, a model which is related explicitly to other spheres of Indian thought and culture as well as to current ideas on musical time in alternative repertories?including that of Western music. This theoretical model is elucidated and illustrated with reference to many musical examples drawn from authentic recorded performances. These examples clarify key Indian musicological concepts such as tal (metre), lay (tempo or rhythm), and laykari (rhythmic variation).
More generally, the volume addresses the implications of performance practice for the organization of rhythm and metre. Written in a clear and accessible style and illustrated with 102 music examples and diagrams, it will appeal to anyone interested in Indian aesthetic forms and the study of musical time. The book contains a free CD of authentic recorded performances closely referred to in the text.
This remarkable book delves deeply, systematically, and with extraordinary clarity into temporal theory and practice in North Indian classical music ... The writing in this book is refined, distilled, and extremely clear ... Time in Indian Music is destined to be a classic in ethnomusicology, Indian studies, and music theory.
Tartalomjegyzék:
Acknowledgements
List of Tables
List of Examples
List of Audio Examples on CD
Note on Orthography
Note on Music Notations
Introduction
Theoretical Perspectives I: Rhythmic Organization in Indian Cultural Perspective
Theoretical Perspectives II: General Theories of Rhythm and Metre
Tal Theory as a Model of Rhythmic Organization
Tal in Practice: Quantitative, Qualitative, and Cyclic Functions
Lay Tempo and Rhythmic Density
Performance Practice and Rhythm in Hindustani Music: Introduction
The Bandis
Development Techniques and Process
Laykari Rhythmic Variation
A Case Study in Rhythmic Analysis: Instrumentals Gats in the Repertoire of Deepak Choudhury
North Indian Rhythmic Organization in Cross-Cultural Perspective
Glossary
Bibliography
Discography
Index
