Thinking About Exhibitions by Ferguson, Bruce W.; Greenberg, Reesa; Nairne, Sandy;

20% KEDVEZMÉNY?
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.

Kiadói listaár GBP 125.00
Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.

63 262 Ft (60 250 Ft + 5% áfa)
Kedvezmény(ek) 20% (cc. 12 652 Ft off)
Kedvezményes ár 50 610 Ft (48 200 Ft + 5% áfa)

63 262 Ft

Beszerezhetőség

Becsült beszerzési idő: A Prosperónál jelenleg nincsen raktáron, de a kiadónál igen. Beszerzés kb. 3-5 hét..
A Prosperónál jelenleg nincsen raktáron.

A termék adatai:

Kiadás sorszáma 1
Kiadó Routledge
Megjelenés dátuma 1996. március 7.

ISBN 9780415115896
Kötéstípus Keménykötés
Terjedelem512 oldal
Méret 246x174 mm
Súly 1270 g
Nyelv angol

Kategóriák

Rövid leírás:

An anthology of writings on exhibition practice from artists, critics, curators and art historians which address the contradictions posed by museum and gallery staged exhibitions, and the challenge of staging art presentations and displays.

Több

Hosszú leírás:

An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.

Több

Tartalomjegyzék:

LIST OF PLATES, NOTES ON CONTRIBUTORS, ACKNOWLEDGEMENTS, INTRODUCTION, PART I: THE FUTURE OF HISTORY, 1. THE MUSEUM AND THE ?AHISTORICAL? EXHIBITION: the latest gimmick by the arbiters of taste, or an important cultural phenomenon?, 2. BROKERING IDENTITIES: art curators and the politics of cultural representation, 3. LARGE EXHIBITIONS: a sketch of a typology, 4. FOR EXAMPLE, DOCUMENTA, OR, HOW IS ART HISTORY PRODUCED?, PART II: STAGING SPECTATORS, 5. THE EXHIBITIONARY COMPLEX, 6. THE MUSEUM FLAT, 7. NAMING NAMES: the art of memory and the NAMES Project AIDS Quilt, PART III: GRAMMATIC ACTS, 8. LES IMMATÉRIAUX, 9. EXHIBITION RHETORICS: material speech and utter sense, 10. CREATING SPACES, 11. THE DISCOURSE OF THE MUSEUM, PART IV: CURATORS OR CATERERS, 12. THE GREAT CURATORIAL DIM-OUT, 13. FROM MUSEUM CURATOR TO EXHIBITION AUTEUR: inventing a singular position, 14. CONSTRUCTING THE SPECTACLE OF CULTURE IN MUSEUMS, 15. THE SHOW YOU LOVE TO HATE: a psychology of the mega-exhibition, 16. FREE FALL?FREEZE FRAME: Africa, exhibitions, artists, PART V: SPATIAL PLAY, 17. THE ONE-PICTURE GALLERY, 18. DISSENTING SPACES, 19. FUNCTION OF ARCHITECTURE: notes on work in connection with the places where it is installed taken between 1967 and 1975, some of which are specially summarized here, 20. THE GALLERY AS A GESTURE, 21. POSTMODERNISM?S MUSEUM WITHOUT WALLS, 22. THE EXHIBITED REDISTRIBUTED: a case for reassessing space, PART VI: THE EXHIBITION CONDITION, 23. A VISUAL MACHINE: art installation and its modern archetypes, 24. THE INSTITUTIONALIZATION OF DISSENT, 25. MODERNISM, NATIONALISM AND BEYOND: a critical history of exhibitions of First Nations art, 26. IN AND OUT OF PLACE, 27. WHAT?S IMPORTANT ABOUT THE HISTORY OF MODERN ART EXHIBITIONS?, SELECT BIBLIOGRAPHY, INDEX

Több

Mostanában megtekintett