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  • Thinking About Exhibitions

    Thinking About Exhibitions by Ferguson, Bruce W.; Greenberg, Reesa; Nairne, Sandy;

      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 125.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        63 262 Ft (60 250 Ft + 5% VAT)
      • Discount 20% (cc. 12 652 Ft off)
      • Discounted price 50 610 Ft (48 200 Ft + 5% VAT)

    63 262 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Short description:

    An anthology of writings on exhibition practice from artists, critics, curators and art historians which address the contradictions posed by museum and gallery staged exhibitions, and the challenge of staging art presentations and displays.

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    Long description:

    An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.

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    Table of Contents:

    LIST OF PLATES, NOTES ON CONTRIBUTORS, ACKNOWLEDGEMENTS, INTRODUCTION, PART I: THE FUTURE OF HISTORY, 1. THE MUSEUM AND THE ?AHISTORICAL? EXHIBITION: the latest gimmick by the arbiters of taste, or an important cultural phenomenon?, 2. BROKERING IDENTITIES: art curators and the politics of cultural representation, 3. LARGE EXHIBITIONS: a sketch of a typology, 4. FOR EXAMPLE, DOCUMENTA, OR, HOW IS ART HISTORY PRODUCED?, PART II: STAGING SPECTATORS, 5. THE EXHIBITIONARY COMPLEX, 6. THE MUSEUM FLAT, 7. NAMING NAMES: the art of memory and the NAMES Project AIDS Quilt, PART III: GRAMMATIC ACTS, 8. LES IMMATÉRIAUX, 9. EXHIBITION RHETORICS: material speech and utter sense, 10. CREATING SPACES, 11. THE DISCOURSE OF THE MUSEUM, PART IV: CURATORS OR CATERERS, 12. THE GREAT CURATORIAL DIM-OUT, 13. FROM MUSEUM CURATOR TO EXHIBITION AUTEUR: inventing a singular position, 14. CONSTRUCTING THE SPECTACLE OF CULTURE IN MUSEUMS, 15. THE SHOW YOU LOVE TO HATE: a psychology of the mega-exhibition, 16. FREE FALL?FREEZE FRAME: Africa, exhibitions, artists, PART V: SPATIAL PLAY, 17. THE ONE-PICTURE GALLERY, 18. DISSENTING SPACES, 19. FUNCTION OF ARCHITECTURE: notes on work in connection with the places where it is installed taken between 1967 and 1975, some of which are specially summarized here, 20. THE GALLERY AS A GESTURE, 21. POSTMODERNISM?S MUSEUM WITHOUT WALLS, 22. THE EXHIBITED REDISTRIBUTED: a case for reassessing space, PART VI: THE EXHIBITION CONDITION, 23. A VISUAL MACHINE: art installation and its modern archetypes, 24. THE INSTITUTIONALIZATION OF DISSENT, 25. MODERNISM, NATIONALISM AND BEYOND: a critical history of exhibitions of First Nations art, 26. IN AND OUT OF PLACE, 27. WHAT?S IMPORTANT ABOUT THE HISTORY OF MODERN ART EXHIBITIONS?, SELECT BIBLIOGRAPHY, INDEX

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