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18% KEDVEZMÉNY?
- Kiadói listaár GBP 21.99
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10 505 Ft (10 005 Ft + 5% áfa)
Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.
- Kedvezmény(ek) 18% (cc. 1 891 Ft off)
- Kedvezményes ár 8 614 Ft (8 204 Ft + 5% áfa)
- A kedvezmény érvényes eddig: 2026. március 31.
8 614 Ft
Beszerezhetőség
Még nem jelent meg, de rendelhető. A megjelenéstől számított néhány héten belül megérkezik.
Why don't you give exact delivery time?
A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.
A termék adatai:
- Kiadó Bloomsbury Publishing (UK)
- Megjelenés dátuma 2026. március 19.
- Kötetek száma Paperback
- ISBN 9781350253704
- Kötéstípus Puhakötés
- Terjedelem328 oldal
- Méret 232x156x24 mm
- Súly 540 g
- Nyelv angol
- Illusztrációk 40 bw illus 700
Kategóriák
Rövid leírás:
An exploration of the history, role and theory of space in art from the point of view of a practicing artist.
TöbbHosszú leírás:
James Hyde, a practicing painter, presents a radical and historically detailed investigation into how the concept of pictorial space in art emerged.
Using primary documents and a selection of images, Hyde exposes what many will find surprising-that space only becomes part of the descriptive apparatus of art and architecture at the turn of the 20th century, not earlier. Remarkably, this is the first critical study of pictorial space as a historical construction. In this retelling of art history, Hyde presents it as a concept bound to historical circumstance, developing -often contentiously-in philosophy, mathematics and science, to finally become common in 20th century theorizations of art.
Hyde investigates and identifies the historical moments when space first enters discussions about art and how it originally developed in religion, philosophy, mathematics and science. He shows that only after several key controversies were stabilized that space finally emerged as a topic for visual art at the turn of the 20th century. The stories of these debuts introduce Kant, Poincare and Panofsky, thinkers who provided theories of space that were taken up by artists. They reveal the creative and imaginative ideas that forged the belief that space is essential to understanding art.
The ease of applying space to almost any context makes space prevalent today. It is unexamined faith, rather than a clear-eyed understanding of its historical construction that currently anchors space within the discourse of art. Hyde's original reading of what has become a broad, catch-all concept provides a reconsideration of the foundations of the history and philosophy of visual art.
Tartalomjegyzék:
"
List of Illustrations
Acknowledgements
Preface
Introduction
PART I: AN ART HISTORY WITHOUT SPACE: THE 13TH CENTURY
1. NARRATIVES FOR THE 13TH CENTURY
2. THE SAINT OF SPECTACLE
3. CHRISTIAN PICTURES AND SAN FRANCESCO
4. PAINTING FROM SAN FRANCESCO TO THE NAVICELLA
PART II: A HISTORY OF ART WITHOUT SPACE: ALBERTI AND LEONARDO'S CONSTRUCTION OF PERSPECTIVE
5. THE CLASSICAL MODEL OF VITRUVIUS
6. DE PICTURA AND EARLY PERSPECTIVE
7. THE PROLIFIC IMAGINATION OF LEONARDO
PART III: SPACE IN PHILOSOPHY, RELIGION AND SCIENCE67
8. THE PLACE OF ARISTOTLE
9. THE DECENTERING OF PLACE
10. THE BECOMING OF SPACE
11. SPACE ASSUMES ITS MODERN FORM: LOCKE, NEWTON, LEIBNIZ AND KANT
PART IV: THE EMERGENCE OF PICTORIAL SPACE
12. PAINTING: STUDIES AND DIALOGUE
13. THE GERMAN FOUNDING OF ART HISTORY
PART V: AGE OF SPACE
14. CALCULATING CUBISM AND SPACE
15. THE MODERNIST INSTITUTION OF SPACE
16. SPACE-THE CREATIVE PHASE
17. PAINTING EXTENDS TO ""REAL SPACE""
18. THE LAST HURRAH OF SPACE
AFTERWORD
Bibliography
Index
