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  • The Oxford Handbook of Screendance Studies

    The Oxford Handbook of Screendance Studies by Rosenberg, Douglas;

    Sorozatcím: Oxford Handbooks;

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    A termék adatai:

    • Kiadó OUP USA
    • Megjelenés dátuma 2016. augusztus 4.

    • ISBN 9780199981601
    • Kötéstípus Keménykötés
    • Terjedelem816 oldal
    • Méret 180x251x43 mm
    • Súly 1491 g
    • Nyelv angol
    • Illusztrációk 107 illustrations
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    Rövid leírás:

    The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts.

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    Hosszú leírás:

    The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation.

    Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines.

    The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.

    The publication of The Oxford Handbook of Screendance Studies edited by Douglas Rosenberg, a pioneering figure in the field, can be seen as the culmination of the ever-increasing visibility gained by dance on screen throughout the years...The handbook is definitively a great resource for students as well as seasoned researchers looking for a new approach to screendance.

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    Tartalomjegyzék:

    Preface
    Douglas Rosenberg
    Introduction
    Douglas Rosenberg
    HISTORIES
    Chapter 1: Dance with Camera: A Curator's POV
    Jenelle Porter
    Chapter 2: Lo?e Fuller's Serpentines and Poetics of Self-abnegation in the Era of Electrotechnics
    Izabella Pruska-Oldenhof
    Chapter 3: Selective Histories: moving image from the late nineteenth century to the early twenty-first
    Chirstinn Whyte
    Chapter 4: Moto-bio-cine-event: Construction of Expressive Movement in Soviet Avant-garde Film
    Ana Olenina
    Chapter 5: Brazilian Videodance: A Possible Mapping
    Leonel Brum
    Translated by Cristiane Bouger
    Chapter 6: Sensory Screens, Digitized Desires: Dancing Rasa from Bombay Cinema to Reality TV
    Pallabi Chakravorty
    Chapter 7: Exposed to Time: Cross-Histories of Human Motion Visualization from Chrono- to Dynamophotography
    Nicolás Salazar-Sutil and Sebastián Melo
    Chapter 8: In the Blink of an Eye: Norman McLaren Between Dance and Animation
    Alanna Thain
    Chapter 9: An Interdisciplinary Reading of the Film Entr'Acte
    Claudia Kappenberg
    Chapter 10: Light, Shadow, Screendance: Catherine Galasso's Bring on the Lumi?re!
    Selby Wynn Schwartz
    Chapter 11: The Best Dance Is the Way People Die in Movies (or Gestures Toward a New Definition of "Screendance")
    Roger Copeland
    THEORIES
    Chapter 12: Kinesthetic Empathy: Conditions for Viewing
    Karen Wood
    Chapter 13: Virtualizing Dance
    Kim Vincs
    Chapter 14: Sound as Choreographic Object: A Perceptual Approach to the Integration of Sound in Screendance
    Jürgen Simpson
    Chapter 15: Screendance as Enactment in Maya Deren's At Land: Enactive, Embodied, and Neurocinematic Considerations
    Pia Tikka and Mauri Kaipainen
    Chapter 16: Corporeal Creations in Experimental Screendance: Resisting Socio-political Constructions of the Body
    Sophie Walon
    Chapter 17: Dancing in the City: Screens, Landscape, and Civic Phenomenology in the Screendance of Terrance Houle
    Jessica Jacobson-Konefall
    Chapter 18: Privileging Embodied Experience in Feminist Screendance?
    Frances Hubbard
    Chapter 19: Extending the Discourse of Screendance: Dance and New Media
    Andrea Davidson
    Chapter 20: Gadgets, Bodies, and Screens: Dance in Advertisements for New Technologies
    Melissa Blanco Borelli
    Chapter 21: Empire, Vision, and the Dancing Touch: Gendered Moving Arts on Postcolonial Indian Screens
    Esha Niyogi De
    Chapter 22: Behind the Screens: Race, Space, and Place in Saturday Night Fever
    Sima Belmar
    Chapter 23: Longing for Depth: The Frame of Screened Stages in the Screendance Spectacles of Busby Berkeley
    Rachel Joseph
    Chapter 24: Towards an Aesthetical Approach to Screendance
    Susana Temperley
    Translated by Silvina Szperling
    PRACTICES
    Chapter 25: Yvonne Rainer's Lives of Performers: an "undisciplined" encounter with the avant-garde
    Erin Brannigan
    Chapter 26: From Oakland Turfs to Harlem's Shake: Hood Dance on YouTube and Viral Antiblackness
    Naomi Elizabeth Bragin
    Chapter 27: The Virtual Body is Real! Phenomenological and Post-phenomenological Perspectives in Mediadance
    Mirella Misi and Ludmila Pimental
    Chapter 28: Interface: Jonah Bokaer & the Screen Inside
    Michael Jay McClure
    Chapter 29: Where is the Choreography? Who is the Choreographer? Alternate Approaches to Choreography through Editing
    Priscilla Guy
    Chapter 30: Real for Reel: Extending Corporeal Frontiers Through Screendance Editing
    Marisa Hayes
    Chapter 31: Scriptwriting Dance: The First Point of Integration for a Dance Screen Work
    Tracie Mitchell
    Chapter 32: Transcending Dimensions: Physical and Virtual Dancing Bodies
    Sita Popat
    Chapter 33: Can She Have Her Cake And Eat It Too?: A Schizophrenic Search for Resistance Within the Screened Spectacles of a Winin' Fatale
    Adanna Jones
    Chapter 34: A Rhizomatic Revolution?: Popular Dancing, YouTubing, and Exchange in Screendance
    Naomi Jackson
    Chapter 35: Resurrecting the Future: Body, Image, and Technology in the Work of Lo?e Fuller
    Ann Cooper Albright
    Chapter 36: Bill Robinson and Shirley Temple Tap Past Jim Crow
    Ann Murphy
    Index

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