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  • Seizing the Light: A Social History of Photography

    Seizing the Light: A Social History of Photography by Hirsch, Robert;

    Sorozatcím: B&B ART;

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    A termék adatai:

    • Kiadás sorszáma 2
    • Kiadó McGraw-Hill
    • Megjelenés dátuma 2009. január 16.

    • ISBN 9780073379210
    • Kötéstípus Puhakötés
    • Terjedelem496 oldal
    • Méret 274x215x27 mm
    • Súly 1497 g
    • Nyelv angol
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    Hosszú leírás:

    Seizing the Light: A Social History of Photography provides a thought-provoking, accurate, and accessible introduction to the photographic arts for all readers. With stunning images and commentary by hundreds of international artists, the text clearly and concisely provides the building blocks necessary to critically explore photographic history from the photographers' eye, an aesthetic point of view.

    Seizing the Light: A Social History of Photography provides a thought-provoking, accurate, and accessible introduction to the photographic arts for all readers. With stunning images and commentary by hundreds of international artists, the text clearly and concisely provides the building blocks necessary to critically explore photographic history from the photographers' eye, an aesthetic point of view.

    Több

    Tartalomjegyzék:

    Preface

    CHAPTER ONE - Advancing toward Photography: The Birth of Modernity

    A Desire for Visual Representation

    Perspective

    Thinking of Photography

    Camera Vision

    The Demand for Picturemaking Systems

    Proto-Photographers: Chemical Action of Light

    Modernity: New Visual Realities

    Optical Devices

    Images through Light: A Struggle for Permanence

    Other Distinct Originators

    CHAPTER TWO - The Daguerreotype: Image and Object

    What Is a Daguerreotype?

    The Daguerreotype Comes to America

    The Early Practitioners

    Early Daguerrean Portrait Making

    Technical Improvements

    Expanding U.S. Portrait Studios

    The Art of the Daguerrean Portrait

    Daguerrean Portrait Galleries and Picture Factories

    African-American Operators

    Rural Practice

    Post-Mortem Portraits

    The Daguerreotype and the Landscape

    The Daguerreotype and Science

    CHAPTER THREE - Calotype Rising: The Arrival of Photography

    The Calotype

    Early Calotype Activity

    Calotypists Establish a Practice

    Calotype and Architecture: Mission Heliographique

    The End of the Calotype and the Future of Photography

    CHAPTER FOUR - Pictures on Glass: The Wet-Plate Process

    The Albumen Process

    The New Transparent Look

    The Ambrotype

    Pictures on Tin

    The Carte-de-Visite and the Photo Album

    The Cabinet Photograph: The Picture Gets Bigger

    The Studio Tradition

    Retouching and Enlargements

    The Stereoscope

    The Stereo Craze

    CHAPTER FIVE - Prevailing Events/Picturing Calamity

    Current Events

    Early War Coverage

    The American Civil War

    How Photographs Were Circulated

    CHAPTER SIX - A New Medium of Communication

    Photography: Art or Industry?

    Discovering a Photographic Language

    Americans and the Art of Nature

    Positivism

    CHAPTER SEVEN - Standardizing the Practice: A

    Transparent Truth

    Mechanical Photography

    The Traveling Camera

    Picturing Industrialization

    Urban Life

    The American West: The Narrative and the Sublime

    CHAPTER EIGHT - New Ways of Visualizing Time and Space

    The Inadequacy of Human Vision

    Locomotion

    Transforming Aesthetics: Technical Breakthroughs

    The Hand-Held Camera and the Snapshot

    Time and Motion as an Extended Continuum

    Moving Pictures

    Color and Photography

    CHAPTER NINE - Suggesting the Subject: The Evolution of Pictorialism

    Roots of Pictorialism

    Pictorialism and Naturalism

    The Development of Pictorial Effect

    The Secession Movement and the Rise of Photography Clubs

    The Aesthetic Club Movement

    Working Pictorially: A Variety of Approaches

    American Perspectives

    The Photo-Secession

    The Decadent Movement and Tonalism

    Women Pictorialists

    The Pictorial Epoch/The Stieglitz Group

    The Decline of Pictorialism

    CHAPTER TEN - Modernism's Innovations

    Industrial Beauty

    Cubism

    High and Low Art

    Futurism

    Time, Movement, and the Machine

    Towards a Modern Practice: Distilling Form

    Dada

    Exploring Space and Time: The Return of the Photogram

    Surrealism

    Collage

    Suprematism

    Art, Technology, and a New Faith

    Paul Strand and Straight Photography: Purity of Use

    CHAPTER ELEVEN - The New Culture of Light

    Teaching Modernism: The American Impulse

    Stieglitz's "Equivalents"

    Steichen Goes Commercial

    Form as Essence

    Straight, Modernistic Photography

    Film und Foto and New Objectivity

    Experimentally Modern

    New Vision

    Pathways of Light: Time, Space, and Form

    Surrealistic Themes

    CHAPTER TWELVE - Social Documents

    An American Urge: Social Uplift

    Ethnological Approaches

    Emerging Ethnic Consciousness

    The Physiognomic Approach

    The Great Depression: The Economics of Photography

    The FAP Project: Changing New York

    The Photo Booth: Self-Portraits for All

    Mass Observation

    The Film and Photo League

    CHAPTER THIRTEEN - Nabbing Time

    Anticipating the Moment

    CHAPTER FOURTEEN - From Halftones to Bytes

    Pictures and Printers Ink

    The Photo Magazine

    The Separation of Art and Commerce: Advertising and Fashion

    Newspapers

    War Reportage

    The New Subjective Journalism

    Bytes of News

    CHAPTER FIFTEEN - The Atomic Age: New Light/Fresh Methods

    The Surrealistic Metaphor

    The Photograph as Spirit

    Photo Education as Self-Expression

    Family of Man

    Photography and Alienation

    Making a Big Jump

    The Subjective Documentary

    The Terror of Riches

    CHAPTER SIXTEEN - New Frontiers: Expanding Boundaries

    Structuralism: Reading a Photograph

    The Found Image: The Beginnings of Postmodernism

    The Rise of Pop Art

    Challenging the Code

    The Social Landscape

    New Journalism

    Multiple Points of View

    The Rapid Growth of Photographic Education

    CHAPTER SEVENTEEN - Changing Realities

    Alternative Visions

    Turning the Straight Photograph on Itself

    Personal Accounts: Documentary Fiction

    The Snapshot

    Post-Structuralism/New Topographics

    The Rephotographic Survey Project/Time Changes

    Color Rising

    Artists' Books

    Reconfiguring Information

    Expanding Markets

    Critical Writing

    CHAPTER EIGHTEEN - Thinking About Photography

    Conceptual Art: The Act of Choosing

    Performance Art

    A Return to Typologies

    Postmodernism

    Deconstructing Myths

    Gender Issues

    Fabrication

    Altering Time and Space

    Investigating the Body

    Multiculturalism: Exploring Identity & History

    A Personal Cultural Landscape

    The Digital Future Is Now

    The Postphotographic Age

    Bibliography

    Individual Artists

    Technology

    Sources of Artists Books

    Index

    Több

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