Screendance
Inscribing the Ephemeral Image
-
10% KEDVEZMÉNY?
- A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
- Kiadói listaár GBP 105.00
-
47 407 Ft (45 150 Ft + 5% áfa)
Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.
- Kedvezmény(ek) 10% (kb. 4 740 Ft)
- Kedvezményes ár 42 667 Ft (40 635 Ft + 5% áfa)
Iratkozzon fel most és részesüljön kedvezőbb árainkból!
Feliratkozom
47 407 Ft
Beszerezhetőség
Megrendelésre a kiadó utánnyomja a könyvet. Rendelhető, de a szokásosnál kicsit lassabban érkezik meg.
Why don't you give exact delivery time?
A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.
A termék adatai:
- Kiadó OUP USA
- Megjelenés dátuma 2012. július 5.
- ISBN 9780199772612
- Kötéstípus Keménykötés
- Terjedelem234 oldal
- Méret 160x236x20 mm
- Súly 556 g
- Nyelv angol
- Illusztrációk 13 images 0
Kategóriák
Rövid leírás:
The practice of dance and the technologies of representation have excited artists since the advent of film. This book weaves together theory from art and dance as well as appropriate historical reference material to propose a new theory of screendance, one that frames it within the discourse of post-modern art practice.
TöbbHosszú leírás:
The relationship between the practice of dance and the technologies of representation have excited artists since the advent of film. Dancers, choreographers, and directors are increasingly drawn to screendance, the practice of capturing dance as a moving image mediated by a camera. While the interest in screendance has grown in importance and influence amongst artists, it has until now flown under the academic radar. Emmy-nominated director and auteur Douglas Rosenberg's groundbreaking book considers screendance as both a visual art form as well as an extension of modern and post-modern dance without drawing artificial boundaries between the two. Both a history and a critical framework, Screendance: Inscribing the Ephemeral Image is a new and important look at the subject.
As he reconstructs the history and influences of screendance, Rosenberg presents a theoretical guide to navigating the boundaries of an inherently collaborative art form. Drawing on psycho-analytic, literary, materialist, queer, and feminist modes of analysis, Rosenberg explores the relationships between camera and subject, director and dancer, and the ephemeral nature of dance and the fixed nature of film. This interdisciplinary approach allows for a broader discussion of issues of hybridity and mediatized representation as they apply to dance on film.
Rosenberg also discusses the audiences and venues of screendance and the tensions between commercial and fine-art cultures that the form has confronted in recent years. The surge of screendance festivals and courses at universities around the world has exposed the friction that exists between art, which is generally curated, and dance, which is generally programmed. Rosenberg explores the cultural implications of both methods of reaching audiences, and ultimately calls for a radical new way of thinking of both dance and film that engages with critical issues rather than simple advocacy.
Doug Rosenberg's genealogy of dance on screens masterfully elucidates the critical issues of this emerging field. A must-read for practitioners and theorists alike.
Tartalomjegyzék:
Acknowledgements
Preface
Introduction: Inscribing Hybridity
Chapter 1: Archives and Architecture
Chapter 2: Mediated Bodies: From Photography to Cine-Dance
Chapter 3: Recorporealization and the Mediated Body
Chapter 4: The Advent of Video Culture
Chapter 5: The Bride is Dance
Chapter 6: Excavating Genres
Chapter 7: Curating the Practice
Chapter 8: Seeing is Forgetting the Name of the Thing One Sees, or Connoisseurship in Screendance
Chapter 9: Toward a Theory of Screendance
Chapter 10: Negotiating the Academy
Index
