• Kapcsolat

  • Hírlevél

  • Rólunk

  • Szállítási lehetőségek

  • Prospero könyvpiaci podcast

  • Hírek

  • Printing Colour 1700-1830: Histories, Techniques, Functions, and Receptions

    Printing Colour 1700-1830 by Grasselli, Margaret Morgan; Savage, Elizabeth;

    Histories, Techniques, Functions, and Receptions

    Sorozatcím: Proceedings of the British Academy; 263;

      • Kiadói listaár GBP 150.00
      • Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.

        71 662 Ft (68 250 Ft + 5% áfa)

    Beszerezhetőség

    Becsült beszerzési idő: Várható beérkezés: 2026. január vége.
    A Prosperónál jelenleg nincsen raktáron.

    Why don't you give exact delivery time?

    A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.

    A termék adatai:

    • Kiadó The British Academy
    • Megjelenés dátuma 2024. december 27.

    • ISBN 9780197267530
    • Kötéstípus Keménykötés
    • Terjedelem448 oldal
    • Méret 185x215x11 mm
    • Súly 1783 g
    • Nyelv angol
    • Illusztrációk Over 350 colour illustrations
    • 615

    Kategóriák

    Rövid leírás:

    From the invention of four-colour separation printing c. 1710 to the introduction of chromolithography c. 1830, Printing Colour 1700-1830 offers the first survey of eighteenth-century colour printmaking in and beyond western Europe, dynamically expanding print history to include such diverse consumer goods as clothing, wallpapers, and pottery.

    Több

    Hosszú leírás:

    Printing Colour 1700-1830 offers a broad-ranging examination of the rich period of invention, experimentation and creativity surrounding colour printing in Europe between two critically important developments, four-colour separation printing around 1710, and chromolithography around 1830. Its 28 field-defining contributions, by 26 leading experts, expand the corpus far beyond the beautiful, already well-studied images produced in European hubs like London and Paris. The chapters unveil the explosive growth in the production and marketing of colour prints at this pivotal moment. They address the numerous scientific and technological advances that fed the burgeoning popularity for such diverse colour-printed consumer goods as clothing, textiles, wallpapers, and ceramics. They recontextualise the rise in colour-printed paper currencies, book endpapers and typography, and ephemera, including lottery tickets and advertisements. This landmark volume launches colour printing of the long 18th century as an interdisciplinary field of study, opening new avenues for research across historical and scientific fields.



    In addition to collating three hundred fifty beautiful high-resolution images, this book offers an exceptional overview of the practices, materials, and figures that contributed to bringing colour to European visual and textual culture in the long eighteenth century.

    Több

    Tartalomjegyzék:

    • Introduction

    • Part I: Materials and Techniques Printing Colour in 18th-Century Europe

    • Tools, Machines, and Presswork for Printing Colour in 18th-Century Europe

    • Colour Printing Inks and Colour Inking in 18th-Century Europe

    • Part II Relief Techniques: Letterpress, and Colour Woodcut

    • Colour Letterpress in Europe in the Long 18th Century

    • Elisha Kirkall and his Proposals for Printing in Chiaroscuro, Natural Colours and Tints, 1720-1740

    • Printing Chiaroscuro and Colour Woodcuts in Paris, Venice, and London c.1725-70

    • Bringing Colour to Books and Objects with Decorated Paper in the Long 18th Century

    • Colour for Commerce: Letterpress-Printed Ephemera in Britain, 1700-1830

    • Part III Mezzotint and Trichromatic Printing

    • The Politics of Process Mezzotint: Jacob Christoff Le Blon's Reputation, 1700-89

    • From Colour Theory to Colour Practice: Printmakers in Pursuit of the Ideal Pigments in 18th-Century Europe

    • Colouring the Body: Printed Colour in Medical Treatises during the Long Eighteenth Century

    • Colour Printing in Late 18th-Century Italy:

      Több