Lutheranism, Anti-Judaism, and Bach's St. John Passion
With an Annotated Literal Translation of the Libretto
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A termék adatai:
- Kiadó OUP USA
- Megjelenés dátuma 1998. június 18.
- ISBN 9780195114713
- Kötéstípus Keménykötés
- Terjedelem128 oldal
- Méret 235x163x17 mm
- Súly 322 g
- Nyelv angol 0
Kategóriák
Rövid leírás:
Designed for general readers and scholars, this study explores the Lutheran commentary in Bach's St. John Passion and suggests that fostering hostility to Jews is not its subject or purpose. Also included are a literal, annotated translation of the libretto and an appendix discussing anti-Judaism and Bach's other works.
TöbbHosszú leírás:
Bach's St. John Passion is surely one of the monuments of Western music, yet performances are inevitably controversial. In large part, this is because of the combination of the powerful and highly emotional music and a text that includes passages from a gospel marked by vehement anti-Judaic sentiments. What did this masterpiece mean in Bach's day and what does it mean today?
Although bibliographies on Bach and Judaism have grown enormously since World War II, there has been very little work on the relationship between the two areas. This is hardly surprising; Judaica scholars and culture critics focusing on issues of anti-Semitism commonly lack musical training and are, in any event, quite reasonably interested in even more pressing social and political issues. Bach scholars, on the other hand, have mostly concentrated on narrowly defined musical topics. Strangely, therefore, almost no scholarly attention has been given to relationships between Lutheranism and the religion of Judaism as they affect Bach's most controversial work, the St. John Passion. Through a reappraisal of Bach's work and its contexts, Marissen confronts Bach and Judaism directly, providing interpretive commentary that could serve as a basis for a more informed and sensitive discussion of this troubling work. Consisting of a long interpretive essay, followed by an annotated literal translation of the libretto, a guide to recorded examples, and a detailed bibliography, this concise text provides the reader with the tools to assess the work on its own terms and in the appropriate context.
The most important and lasting item to have emerged from this Passion season ... may turn out to be a little book of great complexity by Michael Marissen. ... [It] provides a model of how to deal with a piece of music grown controversial: not through avoidance, not through bowdlerization, but by supplying the richest and most provocative context in which to understand and interpret the work.
