Intimate Violence
Hitchcock, Sex, and Queer Theory
-
10% KEDVEZMÉNY?
- A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
- Kiadói listaár GBP 135.00
-
64 496 Ft (61 425 Ft + 5% áfa)
Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.
- Kedvezmény(ek) 10% (cc. 6 450 Ft off)
- Kedvezményes ár 58 047 Ft (55 283 Ft + 5% áfa)
Iratkozzon fel most és részesüljön kedvezőbb árainkból!
Feliratkozom
64 496 Ft
Beszerezhetőség
Megrendelésre a kiadó utánnyomja a könyvet. Rendelhető, de a szokásosnál kicsit lassabban érkezik meg.
Why don't you give exact delivery time?
A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.
A termék adatai:
- Kiadó OUP USA
- Megjelenés dátuma 2017. április 6.
- ISBN 9780190214166
- Kötéstípus Keménykötés
- Terjedelem296 oldal
- Méret 163x236x22 mm
- Súly 658 g
- Nyelv angol
- Illusztrációk 33 0
Kategóriák
Rövid leírás:
Intimate Violence explores the consistent cold war in Hitchcock's films between his heterosexual heroines and his queer characters, usually though not always male. These conflicts eerily echo the tense standoff between feminism and queer theory. From a reparative psychoanalytic perspective, David Greven merges queer and feminist approaches to Hitchcock.
TöbbHosszú leírás:
Intimate Violence explores the consistent cold war in Hitchcock's films between his heterosexual heroines and his queer characters, usually though not always male. Decentering the authority of the male hero, Hitchcock's films allow his female and queer characters to vie for narrative power, often in conflict with one another. These conflicts eerily echo the tense standoff between feminism and queer theory. From a reparative psychoanalytic perspective, David Greven merges queer and feminist approaches to Hitchcock. Using the theories of Melanie Klein, Greven argues that Hitchcock's work thematizes a constant battle between desires to injure and to repair the loved object. Greven develops a theory of sexual hegemony. The feminine versus the queer conflict, as he calls it, in Hitchcock films illuminates the shared but rivalrous struggles for autonomy and visibility on the part of female and queer subjects. The heroine is vulnerable to misogyny, but she often gains an access to agency that the queer subject longs for, mistaking her partial autonomy for social power. Hitchcock's queer personae, however, wield a seductive power over his heterosexual subjects, having access to illusion and masquerade that the knowledge-seeking heroine must destroy. Freud's theory of paranoia, understood as a tool for the dissection of cultural homophobia, illuminates the feminine versus the queer conflict, the female subject position, and the consistent forms of homoerotic antagonism in the Hitchcock film. Through close readings of such key Hitchcock works as North by Northwest, Psycho, Strangers on a Train, Spellbound, Rope, Marnie, and The Birds, Greven explores the ongoing conflicts between the heroine and queer subjects and the simultaneous allure and horror of same-sex relationships in the director's films.
Greven discovers an impressively wide range of queerings... [and] complicates his search for queer figures and readings in refreshingly unexpected ways... Greven's argument is tightly framed by his meticulously nuanced readings of earlier Hitchcock critics, especially feminists and queer theorists."
Tartalomjegyzék:
Acknowledgements
Introduction: Intimate Violence
Chapter 1: Queer Hitchcock: Psycho and Northwest by Northwest
Chapter 2: "You're A Strange Girl, Charlie": Sexual Hegemony in Shadow of a Doubt
Chapter 3: Mirrors without Images: Spellbound
Chapter 4: Making a Meal of Manhood: Rope, Orality, and Queer Anguish
Chapter 5: The Fairgrounds of Desire: Paranoia and Masochism in Strangers on a Train
Chapter 6: The Death-Mother in Psycho: Hitchcock, Femininity, and Queer Desire
Chapter 7: Marnie's Queer Resilience
Epilogue: Melanie's Birds: Deconstructing the Heroine
Notes
