Inca Music Reimagined
Indigenist Discourses in Latin American Art Music, 1910-1930
Sorozatcím: Currents in Latin American and Iberian Music;
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A termék adatai:
- Kiadó OUP USA
- Megjelenés dátuma 2022. július 14.
- ISBN 9780197548943
- Kötéstípus Keménykötés
- Terjedelem272 oldal
- Méret 229x150x25 mm
- Súly 522 g
- Nyelv angol
- Illusztrációk 10 halftones 0
Kategóriák
Rövid leírás:
In Inca Music Reimagined, author Vera Wolkowicz argues that Peruvian, Ecuadorian, and Argentine composers in the early twentieth century consciously featured indigenous signifiers in their operas in order to produce a self-consciously Latin American art.
TöbbHosszú leírás:
The Latin American centennial celebrations of independence (ca.1909-1925) constituted a key moment in the consolidation of national symbols and emblems, while also producing a renewed focus on transnational affinities that generated a series of discourses about continental unity. At the same time, a boom in archaeological explorations, within a general climate of scientific positivism provided Latin Americans with new information about their "grandiose" former civilizations, such as the Inca and the Aztec, which some argued were comparable to ancient Greek and Egyptian cultures. These discourses were at first political, before transitioning to the cultural sphere. As a result, artists and particularly musicians began to move away from European techniques and themes, to produce a distinctive and self-consciously Latin American art.
In Inca Music Reimagined author Vera Wolkowicz explores Inca discourses in particular as a source for the creation of "national" and "continental" art music during the first decades of the twentieth century, concentrating on operas by composers from Peru, Ecuador and Argentina. To understand this process, Wolkowicz analyzes early twentieth-century writings on Inca music and its origins and describes how certain composers transposed "Inca" techniques into their own works, and how this music was perceived by local audiences. Ultimately, she argues that the turn to Inca culture and music in the hopes of constructing a sense of national unity could only succeed within particular intellectual circles, and that the idea that the inspiration of the Inca could produce a "music of America" would remain utopian.
This is a groundbreaking book about music nationalism and the utopia of the Inca imaginary in Latin America. Based on a comprehensive field and archival research in countries such as Peru, Ecuador and Argentina, the author explores the processes of construction of national identities through the creation of a nationalist art music during the first three decades of the twentieth century. This brilliantly written and highly organized book will capture the attention not only of musicologists, but also of anyone interested in the processes of nation building in Latin America and elsewhere.
Tartalomjegyzék:
List of Figures
List of Musical Examples
Acknowledgments
Introduction - Indigenous musical heritage and Latin American art music
1. Shaping a continental identity: race, nations, civilizations, utopia, and the arts
2. "We are the Incas" Discussing Indigenism in national musical discourse in Peru
3. To be Inca or not to be Inca? Building Ecuador's musical past
4. Argentina and the appropriation of the Inca past?
5. The Incas go to the opera?
Epilogue - Art music and the Incas: past and present
Bibliography
List of journals and newspapers consulted
Index
