Greeks and Romans on the Latin American Stage by Andújar, Rosa; Nikoloutsos, Konstantinos P.;

Sorozatcím: Bloomsbury Studies in Classical Reception;

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Kiadó Bloomsbury Publishing (UK)
Megjelenés dátuma 2021. július 29.
Kötetek száma Paperback

ISBN 9781350193888
Kötéstípus Puhakötés
Terjedelem312 oldal
Méret 234x156 mm
Súly 440 g
Nyelv angol
Illusztrációk 12 bw illus

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The first comprehensive treatment in English of the rich and varied afterlife of classical drama across Latin America, this volume explores the myriad ways in which ancient Greek and Roman texts have been adapted, invoked and re-worked in notable modern theatrical works across North and South America and the Caribbean, while also paying particular attention to the national and local context of each play.

A comprehensive introduction provides a critical overview of the varying issues and complexities that arise when studying the afterlife of the European classics in the theatrical stages across this diverse and vast region. Fourteen chapters, divided into three general geographical sub-regions (Southern Cone, Brazil and the Caribbean and North America) present a strong connection to an ancient dramatic source text as well as comment upon important socio-political crises in the modern history of Latin America. The diversity and expertise of the voices in this volume translate into a multi-ranging approach to the topic that encompasses a variety of theoretical and interdisciplinary perspectives from classics, Latin American studies and theatre and performance studies.

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Acknowledgements
List of Illustrations
Notes on Contributors

1. Staging the European Classical in 'Latin' America: An Introduction Rosa AndÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂojar, King's College London, UK and Konstantinos Nikoloutsos, Saint Joseph's University, USA

I. Southern Cone

2. From Epic to Tragedy: Theatre and Politics in Juan Cruz Varela's Dido Konstantinos P. Nikoloutsos, Saint Joseph's University, USA

3. Leopoldo Marechal's AntÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂgona VÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ©lez: Rewriting Greek Tragedy as a Foundation Myth in Peronist Argentina Brenda LÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ3pez Saiz, University of Chile, Chile

4. Juan RadrigÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ¡n's Medea Mapuche: Recreating Euripides' Revenge Tragedy in an Indigenous Chilean Context Irmtrud KÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ¶nig, University of Chile, Chile

5. Philoctetes and Medea in Contemporary Chilean Theatre Carolina Brncic, University of Chile, Chile

II. Brazil

6. A God Slept Here by Guilherme Figueiredo: A Radical Modernist Amphitruo from Brazil Rodrigo Tadeu GonÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ§alves, University of ParanÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ¡, Brazil

7. Guilherme Figueiredo, Amphitryon, and the Widow of Ephesus: Linking Plautus and Petronius Tiziana Ragno, University of Foggia, Italy

8. Electra's Turn to the Dark Side: Nelson Rodrigues' Senhora dos Afogados Anastasia Bakogianni, Massey University, New Zealand

9. Becoming Antigone: The Classics as a Model of Resistance in Jorge Andrade's Pedreira das Almas Seth A. Jeppesen, Brigham Young University, USA

III. The Caribbean and North America

10. Distorting the Lysistrata Paradigm in Puerto Rico: Francisco ArrivÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ's Club de Solteros Rosa AndÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂojar, King's College London, UK

11. Challenging the Canon in the Dominican Republic: LisÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂstrata odia la polÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂtica by Franklin DomÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂnguez Katherine Ford, East Carolina University, USA

12. Aeschylus and the Cuban Counter-Revolution Jacques Bromberg, University of Pittsburgh, USA

13. The Contest between CrÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ©olitÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ© and Classics in Patrick Chamoiseau's Stage Plays Justine McConnell, King's College London, UK

14. Dismantling the Anthropological Machine: Feliks Moriso-Lewa's AntigÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ2n and Luis Alfaro's Electricidad Tom Hawkins, Ohio State University, USA

15. Antigone Undead: Tragedy and Biopolitics in Perla de la Rosa's AntÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂgona: las voces que incendian el desierto Jesse Weiner, Hamilton College, USA

Notes
Bibliography
Index

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