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  • Global Perspectives on Orchestras: Collective Creativity and Social Agency

    Global Perspectives on Orchestras by Ramnarine, Tina K.;

    Collective Creativity and Social Agency

    Sorozatcím: Studies in Musical Perf as Creative Prac;

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    A termék adatai:

    • Kiadó OUP USA
    • Megjelenés dátuma 2018. február 22.

    • ISBN 9780199352227
    • Kötéstípus Keménykötés
    • Terjedelem424 oldal
    • Méret 163x236x30 mm
    • Súly 748 g
    • Nyelv angol
    • Illusztrációk 59
    • 0

    Kategóriák

    Rövid leírás:

    Global Perspectives on Orchestras offers innovative approaches to thinking about orchestras. It adopts ethnographic and comparative perspectives on symphony, Caribbean steel, Indian film orchestras and Indonesian gamelan ensembles. By considering the orchestra in diverse historical, intercultural and postcolonial contexts, the volume generates enhanced appreciation of this creative, political and social practice.

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    Hosszú leírás:

    Offering innovative approaches to thinking about orchestras, Global Perspectives on Orchestras: Collective Creativity and Social Agency adopts ethnographic, historical and comparative perspectives on a variety of traditions, including symphony, Caribbean steel, Indonesian gamelan, Indian film and Vietnamese court examples. The volume presents compelling analyses of orchestras in their socio-historical, economic, intercultural and postcolonial contexts, while emphasizing the global and historical connections between musical traditions.

    By drawing on new ethnographic and historical data, the essays describe orchestral creative processes and the politics shaping performance practices. Each essay considers how musicians work together in ensembles, focusing on issues such as training, rehearsal, creative choices, compositional processes, and organizational infrastructures. Testimonies of orchestral musicians highlight practitioners' views into the diverse world of orchestras. As a whole, the volume discusses the creative roles of performers, arrangers, composers and arts agencies, as well as the social environments supporting musical collaborations.

    With contributions from an international team of researchers, Global Perspectives on Orchestras offers critical insights gained from the study of orchestras, collective creativity and social agency, and the connections between orchestral performances, colonial histories, postcolonial practices, ethnographic writings and comparative theorizations.

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    Tartalomjegyzék:

    Contents
    List of Illustrations
    Contributors
    Introduction: Global perspectives on orchestras
    Tina K. Ramnarine
    Part 1: Community and Capital in Orchestral Contexts
    Chapter 1: Cultural demand and supply in an imperial trading centre: developing the Liverpool Philharmonic Society Orchestra in the mid-nineteenth century
    Fiona M. Palmer
    Chapter 2: Context, community and social capital in the governance of a New Zealand orchestra
    Henry Johnson
    Chapter 3: Musical ambition and community-building in Trinidad and Tobago's steel orchestras
    Shannon Dudley
    Chapter 4: Steel orchestras and tassa bands: multiculturalism, collective creativity, and debating co-national instruments in Trinidad and Tobago
    Christopher L. Ballengee
    Chapter 5: Pioneering the orchestra-owned label: LSO Live in an industry in crisis
    Ananay Aguilar
    Part 2: Intercultural Orchestral Collaborations
    Chapter 6: Voices on the wind: eddies of possibility for Australia's orchestral future
    Samuel Curkpatrick
    Chapter 7: The women's international gamelan group at the Pondok Pekak: intercultural collective music making and performance in Bali, Indonesia
    Jonathan McIntosh
    Chapter 8: Gamelanesque effects: musical impressions of Java and Bali in interwar America, Matthew Isaac Cohen
    Chapter 9: 'Every town our home town': how a Finnish symphony orchestra collaborates with South Indian Carnatic musicians
    Eero Hämeenniemi
    Chapter 10: Orchestra and song: musical narratives in Tamil films
    Mekala Padmanabhan
    Chapter 11: The Hindi film orchestra: cinema, sounds and meanings
    Anna Morcom
    Chapter 12: Orchestras and musical intersections with regimental bands, black minstrel troupes, and jazz in India, 1830s-1940s
    Bradley Shope
    Part 3: Decolonizing and Postcolonial Orchestral Contexts
    Chapter 13: Tiki Taane's With Strings Attached: Alive & Orchestrated and postcolonial identity politics in New Zealand
    Oli Wilson
    Chapter 14: State orchestras and multiculturalism in Singapore
    Shzr Ee Tan
    Chapter 15: The British symphony orchestra and the Arts Council of Great Britain: examining the orchestra in its economic and institutional environments
    Benjamin Wolf
    Chapter 16: Orchestrating the nation: court orchestras, nationalism and agency in Vietnam
    Barley Norton
    Chapter 17: Orchestral connections in the cultures of decolonization: reflections on British, Caribbean and Indian contexts
    Tina K. Ramnarine
    Index

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