Film in Canada by Leach, Jim;

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A termék adatai:

Kiadás sorszáma 2
Kiadó OUP Canada
Megjelenés dátuma 2010. augusztus 26.

ISBN 9780195432435
Kötéstípus Puhakötés
Terjedelem256 oldal
Méret 229x153x13 mm
Súly 358 g
Nyelv angol
Illusztrációk 23 photos (b/w film stills)

Kategóriák

Filmművészet (valamint televíziózás és rádiózás)

Hosszú leírás:

Offering a current and comprehensive analysis of Canadian cinema in its political and cultural contexts, this new edition of Film in Canada introduces students to a cinema that is as diverse as the country itself. Major developments in Canadian filmmaking are explored in depth, from direct cinema and the national-realist films of the 1960s to later avant-garde projects and beyond. With detailed discussions on recent and well-established works by prominent Canadian filmmakers, along with new film commentaries and movie stills, this text is an invaluable resource for film students and film lovers alike.

The book reads well from beginning to end as an evolving argument and discussion with many facets, yet it knits together without simplifying. . . Leach's discussion of direct cinema is the most useful I have found anywhere."

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Tartalomjegyzék:

Timeline
Introduction: Not Just Another National Cinema
Blame Hollywood
Screening the Nation
Identifying the Nation
Part 1: Imagining Canada
The National-Realist Tradition
Documenting the Nation
1964 Revisited: The Sense of a Beginning
The Persistence of Realism
Realism and Its Discontents
Questioning Cinema Truth
Too Real? A Married Couple and Les Ordres
Faking It: The Canadian Mockumentary
Traces: Space, Place, and Identity
'Vrais films de chez nous': Post-war Quebec Feature Films
Obliterated Environments: Space in Direct Cinema Fiction Films
A Sense of Placelessness: The Capital Cost Allowance Act and After
The Canadian Fantastic
Paul Almond's Fantastic Trilogy
Canadian Gothic
Lost and Delirious: The Films of André Forcier and Guy Maddin
Part 2: Popular cinema/Art cinema
Are Genres American?
Inflecting American Genres
Deconstructing Genre
Implanted Memories
In Search of the National Popular: Carle and Cronenberg
The Sins of Gilles Carle
The Challenge of David Cronenberg
Two Canadian Auteurs: Arcand and Egoyan
Ups and Downs: Denys Arcand's History Lessons
Dark Mirrors: Reflections on Atom Egoyan
Postscript
Stupid Films and Smart Films
Boys and Girls: The Quebec Stupid Film
Death and Irony: Canadian Smart Films
Part 3: Redefining Canadian Cinema
Shifting Centres and Margins
The Cinema We Need?
Dirty Movies and Aerial Views: Jack Darcus and William MacGillivray
Jean Pierre Lefebvre and the Quebec Imaginary
Engendering the Nation
Sex in a Cold Climate
Dream Lives: The Rise of Women's Cinema in Canada
The Real and the Visionary: Léa Pool and Patricia Rozema
Thom Fitzgerald's Alien Bodies
Possible Worlds: Diasporic Cinema in Canada
Where Is Home? Diasporic Filmmakers in English Canada
Quebec: Métissage and the Politics of Identity
New Worlds/Old Stories
The Real and the Imaginary: Canadian Film and the Postmodern Condition
Staging the Global and the Local: Bruce Sweeney and Robert Lepage
Film in Canada in the Twenty-First century: Congorama and Away from Her
Appendix A: Timeline: Canadian Films
Appendix B: 'Lights, Camera, Action' Study Questions
Notes
Bibliography
Filmography