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  • Do You Remember House?: Queer of Color Undergrounds in Post-Soul Chicago

    Do You Remember House? by Salkind, Micah;

    Queer of Color Undergrounds in Post-Soul Chicago

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    A termék adatai:

    • Kiadó OUP USA
    • Megjelenés dátuma 2019. február 21.

    • ISBN 9780190698423
    • Kötéstípus Puhakötés
    • Terjedelem352 oldal
    • Méret 231x155x20 mm
    • Súly 522 g
    • Nyelv angol
    • Illusztrációk 24 photographs, 8 illustrations
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    Kategóriák

    Rövid leírás:

    This book tells the full story of house music in Chicago, from its emergence to its queer remediation to its memorialization from the late '70s to the present.

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    Hosszú leírás:

    Today, no matter where you are in the world, you can turn on a radio and hear the echoes and influences of Chicago house music. Do You Remember House? tells a comprehensive story of the emergence, and contemporary memorialization of house in Chicago, tracing the development of Chicago house music culture from its beginnings in the late '70s to the present. Based on expansive research in archives and his extensive conversations with the makers of house in Chicago's parks, clubs, museums, and dance studios, author Micah Salkind argues that the remediation and adaptation of house music by crossover communities in its first decade shaped the ways that Chicago producers, DJs, dancers, and promoters today re-remember and mobilize the genre as an archive of collectivity and congregation.

    The book's engagement with musical, kinesthetic, and visual aspects of house music culture builds from a tradition of queer of color critique. As such, Do You Remember House? considers house music's liberatory potential in terms of its genre-defiant repertoire in motion. Ultimately, the book argues that even as house music culture has been appropriated and exploited, the music's porosity and flexibility have allowed it to remain what pioneering Chicago DJ Craig Cannon calls a 'musical Stonewall' for queers and people of color in the Windy City and around the world.

    ...expansive and deep...

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    Tartalomjegyzék:

    Acknowledgements
    List of Illustrations
    Epigraph
    Introduction
    Part 1 - This is How It Started
    Chapter One - Like a Phoenix From The Ashes: Socio-Sonic Memory and Proto-House Geographies
    Introduction
    Anti-Integration Activism in Residential and Cultural Spaces
    Urban Renewal, Deindustrialization, and Top-Down Development
    The Rise and Fall of Chicago's Indie R&B and Soul Industry
    Queer of Color Cultural Antecedents
    Conclusion
    Chapter Two - The Warehouse and The Music Box: Nurturing Chicago House Music Culture
    Introduction
    The Birth of The Warehouse
    Ron Hardy and The Music Box
    Conclusion
    Chapter Three - Remediating The Underground: Teen Parties, Disco Punk, and Hot Mix Radio
    Introduction
    The Deep Times and Spaces of Chicago's Black Social Dance Cultures
    Hotmixing DJs on The Airwaves
    "Saturday Night Live Ain't No Jive"
    Conclusion
    Chapter Four - The End of The First Decade: House Music Crosses Over and Moves Out
    Introduction
    Pressing and Selling Chicago House
    Chicago House Music Moves Out
    Conclusion
    Part 2 - It's Not Over
    Chapter Five - "Is It All Over My Face?" Sounding a Communal Love Ethic at The Chosen Few Old School Reunion Picnic
    Introduction
    Setting The Stage: Reunion Picnics, Chosen Family, and Camp Culture
    Sounding The Classics of a Repertoire in Motion
    Dancing The Loving Community
    Conclusion
    Chapter Six - Are You Ready to Get Your Life? Performing Neostalgia and Wildness in Chicago's Contemporary Queer Club Scenes
    Introduction
    The Hermitage of House
    Safer Spaces on The West Side
    Queen!'s Neostalgic Musical Mix
    Sounding Wildness at Chances Dances
    Queen!'s Neostalgic Visuality
    Cuteness and Wild Visuality at Chances Dances
    Conclusion
    Chapter Seven - Dancing in Brave Spaces
    Introduction
    Being Big
    Riding The Rhythm, Pulling Energy
    Jack Your Body, Strike a Pose
    Out of My Head
    Conclusion
    Coda
    Bibliography
    Books
    Articles
    Websites, Online Articles, and Multimedia
    Conferences, Lectures, Symposia, Unpublished Work, Personal Correspondences etc.
    Oral History Interviews
    Selected Discography

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