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  • Beating Time & Measuring Music in the Early Modern Era

    Beating Time & Measuring Music in the Early Modern Era by Grant, Roger Mathew;

    Sorozatcím: Oxford Studies in Music Theory;

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    A termék adatai:

    • Kiadó OUP USA
    • Megjelenés dátuma 2018. január 4.

    • ISBN 9780190858469
    • Kötéstípus Puhakötés
    • Terjedelem328 oldal
    • Méret 231x155x22 mm
    • Súly 458 g
    • Nyelv angol
    • Illusztrációk 36 music examples; 30 plates
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    Rövid leírás:

    Beating Time and Measuring Music in the Early Modern Era chronicles the interdependent theories of time and meter that prevailed in the fields of music and science between 1500 and 1830. It examines the dramatic shift in the conceptualization of time that took place during the eighteenth century, and explains the profound impact this had on the ways in which musicians understood meter, character, and tempo, as well as the ways in which this change forms the basis for the modern conception of time in music.

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    Hosszú leírás:

    Beating Time & Measuring Music in the Early Modern Era chronicles the shifting relationships between ideas about time in music and science from the sixteenth through the early nineteenth centuries. Centered on theories of musical meter, the book investigates the interdependence between theories of meter and conceptualizations of time from the age of Zarlino to the invention of the metronome. These formulations have evolved throughout the history of Western music, reflecting fundamental reevaluations not only of music but also of time itself. Drawing on paradigms from the history of science and technology and the history of philosophy, author Roger Mathew Grant illustrates ways in which theories of meter and time, informed by one another, have manifested themselves in the field of music.

    During the long eighteenth century, treatises on subjects such as aesthetics, music theory, mathematics, and natural philosophy began to reflect an understanding of time as an absolute quantity, independent of events. This gradual but conclusive change had a profound impact on the network of ideas connecting time, meter, character, and tempo. Investigating the impacts of this change, Grant explores the timekeeping techniques - musical and otherwise - that implemented this conceptual shift, both technologically and materially.

    Bringing together diverse strands of thought in a broader intellectual history of temporality, Grant's study fills an unexpected yet conspicuous gap in the history of music theory, and is essential reading for music theorists and composers as well as historical musicologists and practitioners of historically informed performance.

    Beating Time and Measuring Music in the Early Modern Era will appeal primarily to theorists, historians, and scholars of the history of ideas, though its insights are relevant to all lovers of European music from this era ... Grant offers his audience a much more integrated understanding of music and the broader social world, as well as a more specific understanding of the constraints upon musics temporal features in this era and what these constraints make possible. Interested readers will find ample reward.

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    Tartalomjegyzék:

    Table of Contents
    Acknowledgements
    Introduction
    A History of Meter Theory, Or, the Rules of the Rules
    Reading in the Dark
    Part I
    1. Beating Time
    Themes in Meter Theory, 1500-1700
    The Theoretical Work of the Beat
    The Organizing Principle of Meter Theory: Four Approaches
    “Honor Them All”: On the Use (and Misuse?) of Meter Theory
    2. The Beat: A Technical History
    A Technical and Physical Solution
    A Problem of Continuity
    The Techn? of the Beat.
    Re-reading Zarlino
    3. A Renewed Account of Unequal Triple Meter
    Equality
    Inequality
    Part II
    4. Measuring Music
    Meter, Measure, and Motion in Eighteenth-Century Music Theory
    A Transformation in Time
    A Multiplicity of Measures
    Kirnberger's Contribution
    5. Techniques for Keeping Time
    The Problem of Tempo
    Timekeeping Two Ways: 1. Chronometers
    Timekeeping Two Ways: 2. Taxonomies of Meter
    6. The Eighteenth-Century Alla Breve
    A Rather Vague Indication
    Long-Note Music in the Eighteenth Century
    Long Notes in Eighteenth-Century Music
    Part III
    7. The Reinvention of Tempo
    A New Chronometer?
    Meter, Tempo, Number
    Length Into Duration, Duration Into Length: A Crisis of Measures
    Maelzel's Metronome
    8. The Persistent Question of Meter
    The Measure as Mystery
    Meter as Attention, Activity, Aesthesis
    Fétis and the Future
    Appendices
    Bibliography

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