Yolanda Lopez

Yolanda Lopez

 
Series: A Ver; 22;
Publisher: Chicano Studies Research Center
Date of Publication:
Number of Volumes: Paperback
 
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Product details:

ISBN13:9780895511102
ISBN10:089551110X
Binding:Paperback
See also 9780895511034
No. of pages:128 pages
Size:241x165x13 mm
Weight:666 g
Language:English
0
Category:
Short description:

"It is important for us to be visually literate; it is a survival skill. The media is what passes for culture in contemporary U.S. culture, and it is extremely powerful. It is crucial that we systematically explore the cultural misdefinition of Mexicans and Latin Americans that is presented in the media."?Yolanda Lú3pez Chicana artist Yolanda Lú3pez achieved international recognition for her groundbreaking and controversial Virgin of Guadalupe series of paintings (1975?78) in which she transformed the beloved icon in order to celebrate and sanctify ordinary Mexican and Mexican American women as hardworking, assertive, and vibrant. Born in San Diego, California, Lú3pez formally trained as a painter but has since expanded into a variety of media, including installation, video, and slide presentations. Karen Mary Davalos identifies the themes and concerns that unify the artist's diverse body of work. At times playful, political, and feminist, Lú3pez is unwavering in her commitment to representing the experiences of Mexican American women in the United States, confronting stereotypes about Latin Americans and challenging U.S. immigration policy. Karen Mary Davalos is associate professor of Chicano/a studies at Loyola Marymount University and the author of Exhibiting Mestizaje.

Long description:

“It is important for us to be visually literate; it is a survival skill. The media is what passes for culture in contemporary U.S. culture, and it is extremely powerful. It is crucial that we systematically explore the cultural misdefinition of Mexicans and Latin Americans that is presented in the media.” —Yolanda López

 

Chicana artist Yolanda López achieved international recognition for her groundbreaking and controversial Virgin of Guadalupe series of paintings (1975–78) in which she transformed the beloved icon in order to celebrate and sanctify ordinary Mexican and Mexican American women as hardworking, assertive, and vibrant. Born in San Diego, California, López formally trained as a painter but has since expanded into a variety of media, including installation, video, and slide presentations.

 

Karen Mary Davalos identifies the themes and concerns that unify the artist’s diverse body of work. At times playful, political, and feminist, López is unwavering in her commitment to representing the experiences of Mexican American women in the United States, confronting stereotypes about Latin Americans and challenging U.S. immigration policy.

 

Karen Mary Davalos is associate professor of Chicano/a studies at Loyola Marymount University and the author of Exhibiting Mestizaje.