Wrong's What I Do Best
Hard Country Music and Contemporary Culture
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13 849 Ft
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Product details:
- Publisher OUP USA
- Date of Publication 11 September 2003
- ISBN 9780195169423
- Binding Paperback
- No. of pages200 pages
- Size 142x224x15 mm
- Weight 292 g
- Language English
- Illustrations 8 halftones 0
Categories
Short description:
This book is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. The author compares hard country music and "high" culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk, buying into the standards of "higher" culture.
MoreLong description:
This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk.L With chapters on Hank Williams Sr. and Jr., Merle Haggard, George Jones, David Allan Coe, Buck Owens, Dwight Yoakam, and the Outlaw Movement, this book is written in a jargon-free, engaging style that will interest both academic as well as general readers.
"A professor of English (University of Memphis) and obvious country music fanatic, Ching offers a study of the basis and social implications of 'hard country.' She begins by defining her subject as the Southern twang of angry alienation, hard times, and incurable desolation in contrast to the patriotism, nostalgia, and pop romance of mainstream country. She examines the desolate male fatalism of such stars as George Jones, Merle Haggard, and David Allen Coe, then turns to the roots of hard country with pioneer Hank Williams and his son, Hank Jr..... She finishes with the rock-tinged, Hank Williams-obsessed outlaw country of the 1970s, discussing such singers as Willie Nelson and Waylon Jennings, and hints at the uncertain future of the music. Well organized, well researched, and largely free of academic jargon, the book conveys Ching's enthusiasm for the hard country sound."--Library Journal
