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  • Ways of Making and Knowing: The Material Culture of Empirical Knowledge

    Ways of Making and Knowing by Smith, Prof. Pamela H.; Meyers, Prof. Amy; Cook, Harold;

    The Material Culture of Empirical Knowledge

    Series: The Bard Graduate Center Cultural Histories of the Material World;

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      • Publisher's listprice GBP 52.95
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        25 296 Ft (24 092 Ft + 5% VAT)
      • Discount 10% (cc. 2 530 Ft off)
      • Discounted price 22 767 Ft (21 683 Ft + 5% VAT)

    25 296 Ft

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    Product details:

    • Publisher LUP – University of Michigan Press
    • Date of Publication 2 May 2014
    • Number of Volumes Hardback

    • ISBN 9780472119271
    • Binding Hardback
    • No. of pages448 pages
    • Size 229x152x15 mm
    • Weight 666 g
    • Language English
    • Illustrations 95 photos, 2 tables
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    Short description:

    Explores the circumstances under which making constituted knowing, and, more specifically, it examines the relationship between making objects and knowing nature in Europe from about 1450 to 1850. With contributions from historians of science, medicine, art, and material culture, this volume shows that the histories of science and art are not simply histories of concepts or styles, but histories of the making and using of objects to understand the world.

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    Long description:

    “Making” and “knowing” have generally been viewed as belonging to different types and orders of knowledge. “Craft” and “making” have been associated with how-to information, oriented to a particular situation or product, often informal and tacit, while “knowing” has been related to theoretical, propositional, and abstract knowledge including natural science. Although craftspeople and artists have worked with natural materials and sometimes have been viewed as experts in the behaviour of matter, the notion that making art can constitute a means of knowing nature is a novel one.

    Ways of Making and Knowing explores the circumstances under which making constituted knowing, and, more specifically, it examines the relationship between making objects and knowing nature in Europe from about 1450 to 1850. With contributions from historians of science, medicine, art, and material culture, this volume shows that the histories of science and art are not simply histories of concepts or styles, or at least not that alone, but histories of the making and using of objects to understand the world.

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