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  • Voices of the Nation: Women and Public Speech in Nineteenth-Century American Literature and Culture

    Voices of the Nation by Levander, Caroline Field;

    Women and Public Speech in Nineteenth-Century American Literature and Culture

    Series: Cambridge Studies in American Literature and Culture; 114;

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      • Publisher's listprice GBP 32.00
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        15 288 Ft (14 560 Ft + 5% VAT)
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    15 288 Ft

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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

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    Product details:

    • Publisher Cambridge University Press
    • Date of Publication 12 March 2009

    • ISBN 9780521102520
    • Binding Paperback
    • No. of pages204 pages
    • Size 229x152x12 mm
    • Weight 310 g
    • Language English
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    Short description:

    Studies the relationship between women's speech and nineteenth-century American literary culture.

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    Long description:

    Throughout the nineteenth century, American fiction displayed a fascination with women's speech - describing how women's voices sound, what happens when women speak and what reactions their speech produces, especially in their male listeners. Voices of the Nation argues that closer inspection of these recurring descriptions also performed political work that has had a profound - though unspecified to date - impact on American culture. Commentaries on the female voice were propounded by writers such as Henry James, William Dean Howells and Noah Webster, and these texts played a central role in attempts to define and enforce the radical social changes instituted by the emerging bourgeoisie.

    Review of the hardback: '... informative and illuminating.' Nineteenth-Century Literature

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    Table of Contents:

    Introduction; The Voice of the Nation: Gender, Speech, and Nineteenth-Century American life; 1. Bawdy talk: The Politics of Women's Speech in Henry James's The Bostonians and Sarah J. Hale's The Lecturess; 2. 'Foul Mouthed Women': Disembodiment and Public Discourse in Herman Melville's Pierre and E.D.E.N. Southworth's The Fatal Marriage; 3. Incarnate Words: Nativism, Nationalism, and the Female Body in Maria Monk's Awful Disclosures ; 4. Partners in Speech: Reforming Labor, Class, and the Working Woman's Body in Elizabeth Stuart Phelps's The Silent Partner; 5. 'Queer Trimmings': Dressing, Cross-Dressing, and Women's Suffrage in Lillie Deereux Blake's Fettered for Life; 6. Southern Oratory and The Slavery Debate in Caroline Lee Hentz's Planter's Northern Bride and Harriet Jacobs's Incidents in the Life of a Slave Girl; Conclusion; 'Every Wrong that Needs a Voice': Women and Political Activism at the Turn into the Twentieth Century.

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