
Visual Arts and the Auld Alliance
Scotland, France and National Identity c.1420-1550
- Publisher's listprice GBP 25.99
-
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 8% (cc. 1 052 Ft off)
- Discounted price 12 101 Ft (11 525 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
13 153 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Edinburgh University Press
- Date of Publication 31 May 2025
- Number of Volumes Print PDF
- ISBN 9781399510035
- Binding Paperback
- No. of pages pages
- Size 238x165 mm
- Language English
- Illustrations 100 colour illustrations 700
Categories
Short description:
Explores the links between patronage, identity and Franco-Scottish relations in the late medieval and early modern periods
MoreLong description:
This monograph provides the first substantial analysis of the visual arts commissioned by Scots in France prior to Mary Queen of Scots. It examines how Scottish identity was represented and promoted through patronage of the visual arts. Tying together previously unpublished archival documents with under-researched visual and material culture, this monograph examines how Scots used patronage to establish their place in French society thus furthering the reputation of the royal house of Scotland, and progressing their own social, political, and diplomatic aims. Incorporating analysis of grand architectural projects, such as the foundation of the Sainte-Chapelle at Vic-le-Comte, and studies of extraordinary manuscripts such as the Monypenny Breviary and the military manuals of Bérault Stuart, this work highlights recurring themes within architectural history, art history, and material culture studies. By addressing broader questions of Scotland's historic relations with Europe, it makes a necessary contribution to modern day concerns.
MoreTable of Contents:
List of Illustrations
Preface and Acknowledgements
Introduction: Images, Identity, and an Auld Alliance, 1420-1540
1. Scottish Princesses in France and Brittany: Authority, Agency, and Reputation
1.1 Margaret Stuart, Dauphine of France: Devotion in Text and Stone
1.2 Isabella Stuart, Duchess of Brittany: Manuscripts and Familial Memory
2. Franco-Scottish Mercenaries and the Arts: Establishing Status and Creating Identities
2.1 Bérault Stuart d’Aubigny: Politics and Self-fashioning
2.2 Robert Stuart d’Aubigny: A Scottish Maréchal de France
2.3 Dictating the Art of War
3. Franco-Scottish Diplomacy and the Arts: Knowledge Acquisition and Exchange
3.1 Sir William Monypenny: Diplomacy and Espionage
3.2 A Virgil Manuscript as a Diplomatic Gift for James III
3.3 Bérault Stuart d’Aubigny: Cartography and a Diplomatic Dossier
3.4 Robert Stuart d’Aubigny and James V in France
4. A Franco-Scottish Cleric and his Breviary: Patronage, Piety, and Identity
4.1 The Monypenny Breviary: Popes, Prisons and Porcupines
4.2 The Monypenny Breviary: Catching the Light
5. A Franco-Scottish Regent and the Arts: The Patronage of John Stuart, Duke of Albany
5.1 Albany and the Literary Arts of Bremond Domat
5.2 Albany and the Sainte-Chapelle at Vic-le-Comte
5.3 Albany and Military Science
5.4 Blood and Vellum: Genealogies and Gift Exchange as Diplomacy
Conclusion: Franco-Scots as an Imagined Political Community
More