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  • Trauma and Meaning in French Concentration Camp Poetry (1943-1945)

    Trauma and Meaning in French Concentration Camp Poetry (1943-1945) by Joseph, Belle Marie;

    Series: Contemporary French and Francophone Cultures; 110;

      • Publisher's listprice GBP 115.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        54 941 Ft (52 325 Ft + 5% VAT)

    54 941 Ft

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    Product details:

    • Publisher Liverpool University Press
    • Date of Publication 28 December 2025

    • ISBN 9781836245421
    • Binding Hardback
    • No. of pages288 pages
    • Size 239x163 mm
    • Weight 666 g
    • Language English
    • 700

    Categories

    Long description:

    Ebook available to libraries exclusively as part of the JSTOR Path to Open intiative.

    From 1942 to 1944, approximately 160,000 people were deported from France to concentration camps under the German occupation. Despite the horrific conditions, some political prisoners deported for Resistance activities, in addition to a small number of Jewish prisoners, managed to write poetry secretly in the camps between 1943 and 1945. Concentration camp poetry from over a hundred French prisoners survives to this day in archives, family collections, and published books. This book examines the poetry of eight French prisoners, as well as poems composed and shared within a group of friends in Ravensbrück. Through close readings, it explores prisoners’ efforts to identify transcendent meaning in their traumatic circumstances. Using poetic and rhetorical techniques and drawing on the long tradition of French verse, these poets interrogated the horrors of the camps, attempted to reconcile their experience of trauma with their spiritual and political beliefs, and, in some cases, uncovered salvific meaning in their tribulations.

    This book offers a new perspective on French concentration camp literature, showing that in the camps themselves, some prisoners were already confronting their trauma in literature, employing the themes, narratives, and poetic techniques that would become so widespread in post-liberation testimonies. Poetry became a means not only to represent the atrocious events prisoners were experiencing but also, on occasion, to discover meaning and purpose within extreme suffering.



    “The author is fully aware that this discovery in poetry of hope, consolation and meaning goes against the dominant trend of trauma studies, and therein lie the appeal and importance of this book.” – Professor Colin Davis, Emeritus Professor of French and Comparative Literature, Royal Holloway, University of London

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