Transnational Chinese Cinemas
Identity, Nationhood, Gender
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Product details:
- Publisher University of Hawai'i Press
- Date of Publication 30 October 1997
- Number of Volumes Paperback
- ISBN 9780824818456
- Binding Paperback
- No. of pages432 pages
- Size 235x156x28 mm
- Weight 620 g
- Language English
- Illustrations illustrations 0
Categories
Short description:
"With the growing popularity of Chinese cinema and the large amounts of foreign capital invested in it, this book asks what constitutes Chinese cinema. It discusses national cinema and analyzes the emergence of """"transnational cinema"""" in Chinese film studies."
MoreLong description:
"With the increasing popularity of the Chinese film industry, a large amount of foreign captial has been invested in the productions. Internationalization on this scale at both the production and consumption levels has raised the question of what constitutes """"Chinese cinema"""". In this book the authors discuss the central topic of a national cinema and analyze the emergence of """"transnational cinema"""" in Chinese film studies. Applying different methodologies and approaches, they explore the interrelations of national cinematic style, global capitalism, the evolution of the modern nation-state, cultural politics, censorship and gender identity. Among the film artists discussed are Cai Chusheng, Xie Jin, Chen Kaige, Zhang Yimou, Ang Lee and Jackie Chan. The volume opens with essays tracing the early decades of the 20th century, through to the Mao era and the age of transnational capitalism. Other essays consider what have been the peripheral and marginalized traditions in relation to mainstream Chinese cinema."
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