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    Tragicomedy

    Tragicomedy by Hammond, Brean;

    Series: Forms of Drama;

      • GET 20% OFF

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      • Publisher's listprice GBP 55.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        27 835 Ft (26 510 Ft + 5% VAT)
      • Discount 20% (cc. 5 567 Ft off)
      • Discounted price 22 268 Ft (21 208 Ft + 5% VAT)

    27 835 Ft

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    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Methuen Drama
    • Date of Publication 12 August 2021
    • Number of Volumes Hardback

    • ISBN 9781350144316
    • Binding Hardback
    • No. of pages200 pages
    • Size 198x129 mm
    • Weight 327 g
    • Language English
    • Illustrations 8 bw illus
    • 228

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    Long description:

    This succinct authoritative book offers readers an overview of the origins, characteristics, and changing status of tragicomedy from the 17th century to the present. It explores the work of some of the key English and Irish playwrights associated with the form, the influence of Italian and Spanish theorist-playwrights and the importance of translations of Pierre Corneille's Le Cid.

    At the turn of the 17th century, English dramatists such as John Marston, John Fletcher, and William Shakespeare began experimenting with plays that mixed elements of tragedy and comedy, producing a blended mode that they themselves called 'tragicomedy'. This book begins by examining the sources of their inspiration and the theatrical achievement that they hoped to gain by confronting an audience with plays that defied the plot and character expectations of 'pure' comedy and tragedy. It goes on to show how, reacting to French models, John Dryden, Shakespeare 'improvers' and other English playwrights developed the form while sowing the seeds of its own vulnerability to parody and obsolescence in the eighteenth century.
    Discussing nineteenth-century melodrama as in some respects a resurrection of tragicomedy, the final chapter concentrates on plays by Ibsen, Chekhov, and Beckett as examples of the form being revived to create theatrical modes that more adequately represent the perceived complexity of experience.

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    Table of Contents:

    Series Preface
    List of Illustrations
    Chapter One: Birth 1585-1640
    Chapter Two: Dying and Death 1660-1900
    Chapter 3: Beckett and Pinter. Two Tragicomedians

    Notes
    References
    Index

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