Traditions in World Cinema
Series: Traditions in World Cinema;
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Product details:
- Edition number 1
- Publisher Rutgers University Press
- Date of Publication 8 December 2005
- Number of Volumes Print PDF
- ISBN 9780748618620
- Binding Hardback
- No. of pages288 pages
- Size 234x156 mm
- Weight 556 g
- Language English 0
Categories
Short description:
An introduction to a wide range of traditions in world cinema.
MoreLong description:
The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi pian melodrama, Japanese horror, new Hollywood cinema and global found footage cinema.Features*Includes a preface by Toby Miller.*Each chapter covers a key world cinema tradition and is written by an expert in the field: Roy Armes, Nitzan Ben-Shaul, Peter Bondanella, Corey Creekmur, Adrian Danks, Peter Hames, Randal Johnson, Robert Kolker, Myrto Konstantarakos, Jay McRoy, Negar Mottahedeh, Richard Neupert, Christina Stojanova, J.P. Telotte, Stephen Teo.*Traditions are examined from a wide range of views and include historical, social, cultural and industrial perspectives.
MoreTable of Contents:
Preface (Toby Miller); Introduction (Linda Badley & R. Barton Palmer); I. European Traditions; 1. German Expressionism (J.P. Telotte); 2. Italian Neorealism (Peter Bondanella); 3. The French New Wave (Richard Neupert); 4. The British New Wave (R. Barton Palmer); II. Central, Eastern and Northern European Traditions; 5. The Czechoslovak New Wave (Peter Hames); 6. Danish Dogma (Linda Badley); 7. Post-Communist Cinema (Christina Stojanova); III. South American Traditions; 8. Post-Cinema Novo Brazilian Cinema (Randal Johnson); 9. New Argentine Cinema (Myrto Konstantarakos); IV. African and Middle Eastern Traditions; 10. Early Cinematic Traditions in Africa (Roy Armes); 11. Israeli Persecution Films (Nitzan Ben-Shaul); 12. New Iranian Cinema (Negar Mottahedeh); V. Asian Traditions; 13. Popular Hindi Cinema and the Film Song (Corey Creekmur); 14. Chinese Melodrama (Stephen Teo); 15. Japanese Horror Cinema (Jay McRoy); VI. American and Transnational Traditions; 16. The 'New' American Cinema (Robert Kolker); 17. The Global Art of Found Footage Cinema (Adrian Danks).
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