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  • Time and Causality in Early Modern Drama: Plotting Revenge

    Time and Causality in Early Modern Drama by Kesler, Linc;

    Plotting Revenge

    Series: Routledge Studies in Renaissance Literature and Culture;

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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 28 November 2025

    • ISBN 9781032724331
    • Binding Paperback
    • No. of pages226 pages
    • Size 229x152 mm
    • Language English
    • Illustrations 2 Illustrations, black & white; 2 Halftones, black & white
    • 700

    Categories

    Short description:

    The opening of the first theatre in 1579 created an interplay between the innovations of producers and the perceptions of orally-conditioned audiences. Located in the context of relations between the academy and Indigenous communities, this work questions our abilities, habituated to literacy, to understand oral systems.

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    Long description:

    The opening of the first commercial theatre in London in 1579 initiated a pattern of development that radically reshaped representation. The competition among theatres required the constant production of new works, creating an interplay between the innovations of producers and the rapidly changing perceptions of audiences. The result was a process of incremental change that redefined perceptions of time, action, and identity. Aristotle in the Poetics contrasted a similar set of formal developments to the earlier system of the epics, which, like many predecessors of early modern drama, had emerged from largely oral traditions. Located in the context of contemporary relations between the academy and Indigenous communities, Time and Causality in Early Modern Drama: Plotting Revenge traces these developments through changes in the revenge tragedy form and questions our abilities, habituated to literacy, to fully understand or appreciate the complexity and operations of oral systems.


    The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

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    Table of Contents:

    Acknowledgements


    Introduction


    Part I, A Theory of Tragedy


    1     Nietzsche, Aristotle, and a Theory of Tragedy


    Part II, Precursors To Tragedy


    2     Epics and Narratives of Inclusion


    3     “The Syllables of Time”: Drama and Time in the Middle Ages


    Part III, Tragedy, Time, and Revenge


    4     Marlowe’s “Tragic Glass” and the Decline of Analogy


    5     The Spanish Tragedy and Revenge


    6     Titus Andronicus


    7     Hamlet


    8     Othello


    9     Decadent Tragedy


    Part IV, Reflections on Process


    10   Epilogue and Conclusions


    Bibliography
    Index

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