Timbre Composition in Electroacoustic Music
Papers from the Third Science and Music Conference, City University, London, April 1993
Series: Contemporary Music Review; 10.2;
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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 20 October 1994
- ISBN 9783718655724
- Binding Paperback
- No. of pages250 pages
- Size 245x170 mm
- Weight 460 g
- Language English 0
Categories
Short description:
The contributions to this collection have been selected to define a range of interests from the technical, aesthetic, cognitive and compositional spheres. The collection as a whole will help to demonstrate the great potential for exchange between the multidisciplinary approaches to music.
MoreLong description:
First Published in 1994. The contributions to this collection have been selected to define a range of interests from the technical, aesthetic, cognitive and compositional spheres. The book addresses the continuing need for musicologists, psychologists, composers and listeners to enter into a creative dialogue with designers and builders, who are usually programmers in the contemporary world. The collection as a whole will help to demonstrate the great potential for exchange between the multidisciplinary approaches to music.
MoreTable of Contents:
Pierre Schaeffer and the significance of radiophonic art, John Dack; defining timbre - refining timbre, Denis Smalley; the "something to hold on to factor" in timbral composition, Leigh Landy; micro-time sonic design and timbre formation, Agostino Di Scipio; sound processing in Los Dados Eternos, Rajmil Fischman
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