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    Tim David Trillsam - Willkommen im Panoptikum

    Tim David Trillsam - Willkommen im Panoptikum by Baer-Bogenschütz, Dorothee;

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      • Publisher's listprice EUR 38.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        14 842 Ft (14 136 Ft + 5% VAT)
      • Discount 5% (cc. 742 Ft off)
      • Discounted price 14 101 Ft (13 429 Ft + 5% VAT)

    14 842 Ft

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    Not yet published.

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    Product details:

    • Publisher DCV Dr. Cantzsche
    • Date of Publication 29 May 2026

    • ISBN 9783969122266
    • Binding Hardback
    • No. of pages144 pages
    • Size 280x210 mm
    • Language German
    • Illustrations 100 Abb.
    • 700

    Categories

    Long description:

    "With his idiosyncratic figurative bronze sculptures Tim David Trillsam (born 1985 in the Swabian Alb) has hit a nerve. The artist's ""self memorials"" ask the viewer to remember the transience and illusion of this very self. Although Trillsam employs a loaded material that evokes many great sculptors before him, his own sculptures resist the past. His figures are tangibly protagonist of the present and they provoke with their exaggerated sensuality, twisted bodies, and oversized hands and feet. ""The oversizing is programmatic. As is the skeptical approach to the human species. Trillsam proceeds as a thoughtful questioner with doubt yet also irritation,"" writes Dorothee Baer-Bogenschütze. Her in-depth art-historical analysis is part of this forthcoming book about Trillsam's oeuvre since 2012. Mit seinen figürlichen Bronzeskulpturen hat Tim David Trillsam (geb. 1985 in der Schwäbischen Alb) einen Nerv getroffen. Trillsams ""Denkmäler des Selbsts"" fordern uns als Betrachter:innen auf, die Vergänglichkeit und Illusion eben dieses Selbsts zu bedenken. Obwohl Trillsam sich eines befrachteten Materials bedient, das große Bildhauer vor ihm evoziert, sperren sich seine Figuren gegenüber der Vergangenheit. Sie sind fühlbar Protagonist:innen der Gegenwart, und provozieren mit sinnlicher Überhöhung, verdrehten Körpern, und übergroßen Händen und Füßen. ""Die Überdimensionierung ist Programm. Ebenso wie das skeptische Herantreten an die Spezies Mensch."" schreibt Dorothee Baer-Bogenschütz. Deren tiefgreifende kunsthistorische Analyse ist Teil dieses umfassenden Buches über Trillsams Werk seit 2012."

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