Theological Aesthetics
God in Imagination, Beauty, and Art
- Publisher's listprice GBP 45.99
-
21 971 Ft (20 925 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 2 197 Ft off)
- Discounted price 19 774 Ft (18 833 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
21 971 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP USA
- Date of Publication 17 January 2013
- ISBN 9780199959761
- Binding Paperback
- No. of pages312 pages
- Size 234x156x16 mm
- Weight 440 g
- Language English 0
Categories
Short description:
Richard Viladesau explores the role of aesthetic experience in our perception and understanding of the holy.
MoreLong description:
This book explores the role of aesthetic experience in our perception and understanding of the holy. Richard Viladesau's goal is to articulate a theology of revelation, examined in relation to three principal dimensions of the aesthetic realm: feeling and imagination; beauty (or taste); and the arts. After briefly considering ways in which theology itself can be imaginative or beautiful, Viladesau concentrates on the theological significance of aesthetic data provided by each of the three major spheres of aesthetic perception and response. Throughout the work, the underlying question is how each of these spheres serves as a source (however ambiguous) of revelation. Although he frames much of his argument in terms of Catholic theology--from the Church Fathers to Karl Rahner, Hans urs von Balthasar, Bernard Lonergan, and David Tracy--Viladesau also makes extensive use of ideas from the Protestant theologian of the arts Gerardus van der Leeuw, and draws insights from such diverse thinkers as Hans Goerg Gadamer, Wolfhart Pannenberg, and Iris Murdoch. His analysis is enlivened by the artistic examples he selects: the music of Mozart as contemplated by Karl Barth, Schoenbergs opera Moses und Aron, the sculptures of Chartres Cathedral, poems by Rilke and Michelangelo, and many others. What emerges from this study is what Viladeseau terms a transcendental theology of aesthetics. In Thomistic terms, he finds that beauty is not only a perfection but a transcendental. That is, any instance of beauty, rightly perceived and rightly understood, can be seen to imply divinely beautiful things as well. In other words, Viladesau argues, God is the absolute and necessary condition for the possibility of beauty.
well-produced
Table of Contents:
Abbreviations
1. Theology and Aesthetics
2. God in Thought and in Imagination: Representing the Unimaginable
3. Divine Revelation and Human Perception
4. God and the Beautiful: Beautiful as a Way to God
5. Art and the Sacred
6. The Beautiful and the Good
Appendix: Original Texts of Poetry Quoted in Translation
Notes
Index