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    Theatre and Print Culture in the Manner of Jacques Callot

    Theatre and Print Culture in the Manner of Jacques Callot by Hamill, Kyna;

    Series: Visual and Material Culture, 1300-1700;

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      • Publisher's listprice GBP 155.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        69 982 Ft (66 650 Ft + 5% VAT)
      • Discount 20% (cc. 13 996 Ft off)
      • Discounted price 55 986 Ft (53 320 Ft + 5% VAT)
      • Discount is valid until: 30 June 2026

    62 984 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 22 April 2026

    • ISBN 9789048567300
    • Binding Hardback
    • No. of pages200 pages
    • Size 246x174 mm
    • Weight 530 g
    • Language English
    • Illustrations 49 Illustrations, black & white; 8 Illustrations, color; 49 Halftones, black & white; 8 Halftones, color
    • 689

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    Short description:

    Examining the influential print series Balli di Sfessania di Jacomo Callot, a suite of 24 prints designed and etched by Jacques Callot in 1621-22, this book highlights the influence of visual culture on commedia dell’arte historiography and its performance traditions since the early seventeenth century.

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    Long description:

    This book aims to shuffle some long-standing attitudes about the relationship between theatre and print culture. Examining the influential print series Balli di Sfessania di Jacomo Callot, a suite of 24 prints designed and etched by Jacques Callot in 1621–1622, this book highlights the influence of visual culture on commedia dell’arte historiography and its performance traditions since the early seventeenth century. Callot’s ability to captivate viewers through scale, dynamic figures, and innovative spatial schemes has manifested an impassioned gaze by many admirers.


    Through acts of collecting, adulation, and replication, prints from the Balli di Sfessania have been sourced and re-sourced, excavated and mined, copied and misread, over time as visual records of the past. With a focus on one image group as a case study for the trans-media circulation of images over four hundred years, scholars will find new ways to engage with prints wielding highly impressionable status and reproducibility.

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    Table of Contents:


    List of Figures vi


    Introduction: The Balli di Sfessania di Jacomo Callot 1


    1 Jacques Callot’s Paper Theatre: Etching and Improvisation 65


    2 The Capriccio, the Grotesque, and the Callotesque 83


    3 Collecting Callot 98


    4 The Romantic Resurrection of Callot and the Commedia dell’arte 114


    5 Peering at the Prints: The Impassioned Gaze on Paper 131


    6 Callot on Stage: From Grotesque to Hero 146


    Conclusion: Roland Barthes Lived on Rue Callot: Theatre


    and the Replicated Image 161


    Bibliography 167


    Acknowledgments 185


    Index 186

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