- Publisher's listprice GBP 92.00
-
43 953 Ft (41 860 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 4 395 Ft off)
- Discounted price 39 558 Ft (37 674 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
43 953 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP Oxford
- Date of Publication 10 November 2016
- ISBN 9780198749615
- Binding Hardback
- No. of pages224 pages
- Size 222x148x18 mm
- Weight 382 g
- Language English 0
Categories
Short description:
Emily Bloom chronicles the emergence of the British Broadcasting Corporation as a significant promotional platform and aesthetic influence for Irish modernism from the 1930s to the 1960s. She situates the works of W.B. Yeats, Elizabeth Bowen, Louis MacNeice, and Samuel Beckett in the context of the media environments that shaped their works.
MoreLong description:
The Oxford Mid-Century Studies series publishes monographs in several disciplinary and creative areas in order to create a thick description of culture in the thirty-year period around the Second World War. With a focus on the 1930s through the 1960s, the series concentrates on fiction, poetry, film, photography, theatre, as well as art, architecture, design, and other media. The mid-century is an age of shifting groups and movements, from existentialism through abstract expressionism to confessional, serial, electronic, and pop art styles. The series charts such intellectual movements, even as it aids and abets the very best scholarly thinking about the power of art in a world under new techno-political compulsions, whether nuclear-apocalyptic, Cold War-propagandized, transnational, neo-imperial, super-powered, or postcolonial.
The Wireless Past chronicles the emergence of the British Broadcasting Corporation (BBC) as a significant promotional platform and aesthetic influence for Irish modernism from the 1930s to the 1960s. This is the first book-length study of Irish literary broadcasting on the BBC and situates the works of W. B. Yeats, Elizabeth Bowen, Louis MacNeice, and Samuel Beckett in the context of the media environments that shaped their works. Drawing upon unpublished radio archives, this book shows that radio broadcasting, rather than prompting a break with literary history and traditional literary forms, in fact served as an important means for reinterpreting the legacies of oral and print traditions. In the years surrounding World War II, radio came to be seen as a catalyst for literary revivals and, simultaneously, a force for experimentation. This double valence of radio--the conjoining of revivalism and experimentation--create a distinctive radiogenic aesthetics in mid-century modernism.
Emily Bloom's monograph is the first study to trace the involvement of Anglo-Irish writers at the BBC. It is a wonderfully rich and enlightening book - so much so that it is difficult to do justice to the depth and breadth of the research - and it is beautifully written. ... Her book represents a major step forward in radio studies and in modernist studies, and it will be of great interest to many Yeats scholars.
Table of Contents:
Introduction: Air-Borne Bards 1
W. B. Yeats's Radiogenic Poetry
Louis MacNeice in the Echo Chamber
Elizabeth Bowen's Spectral Radio
Samuel Beckett's Sound Archives
Conclusion: Legacies of Radiogenic Aesthetics
