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  • The Self in the Cell: Narrating the Victorian Prisoner

    The Self in the Cell by Grass, Sean C.;

    Narrating the Victorian Prisoner

    Series: Literary Criticism and Cultural Theory;

      • GET 20% OFF

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      • Publisher's listprice GBP 49.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        23 882 Ft (22 745 Ft + 5% VAT)
      • Discount 20% (cc. 4 776 Ft off)
      • Discounted price 19 106 Ft (18 196 Ft + 5% VAT)

    23 882 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 27 November 2015

    • ISBN 9781138981621
    • Binding Paperback
    • No. of pages303 pages
    • Size 229x152 mm
    • Weight 453 g
    • Language English
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    Long description:

    Michel Foucault's writing about the Panopticon in Discipline and Punish has dominated discussions of the prison and the novel, and recent literary criticism draws heavily from Foucauldian ideas about surveillance to analyze metaphorical forms of confinement: policing, detection, and public scrutiny and censure. But real Victorian prisons and the novels that portray them have few similarities to the Panopticon. Sean Grass provides a necessary alternative to Foucault by tracing the cultural history of the Victorian prison, and pointing to the tangible relations between Victorian confinement and the narrative production of the self. The Self in the Cell examines the ways in which separate confinement prisons, with their demand for autobiographical production, helped to provide an impetus and a model that guided novelists' explorations of the private self in Victorian fiction.

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    Table of Contents:

    Introduction Solitude, Surveillance, and the Art of the Novel; Chapter 1 Narrating the Victorian Prisoner; Chapter 2 Prisoners by Boz: Pickwick Papers and American Notes; Chapter 3 Charles Reade, the Facts, and Deliberate Fictions; Chapter 4 “How Not to Do It”: Dickens, the Prison, and the Failure of Omniscience; Chapter 5 The “Marks System”: Australia and Narrative Wounding; Chapter 6 The Self in the Cell: Villette, Armadale, and Victorian Self-Narration; conclusion Narrative Power and Private Truth: Freud, Foucault, and The Mystery of Edwin Drood;

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