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  • The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning

    The Science and Psychology of Music Performance by Parncutt, Richard; McPherson, Gary;

    Creative Strategies for Teaching and Learning

      • GET 10% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 90.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        42 997 Ft (40 950 Ft + 5% VAT)
      • Discount 10% (cc. 4 300 Ft off)
      • Discounted price 38 698 Ft (36 855 Ft + 5% VAT)

    42 997 Ft

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    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher OUP USA
    • Date of Publication 30 May 2002

    • ISBN 9780195138108
    • Binding Hardback
    • No. of pages400 pages
    • Size 160x236x33 mm
    • Weight 712 g
    • Language English
    • Illustrations 13 halftones & 20 line illustrations
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    Short description:

    Music educators and practicing musicians have failed to benefit as much as they could from the past two decades of music psychology research. In this volume, Parncutt and McPherson propose to improve the situation by describing new approaches, informed by recent psychological research, to teaching music, learning music, and making music at all educational levels. Each chapter represents the collaboration between a music psychologist and a music educator. The articles begin by outlining music-psychological issues that are probably unfamiliar to musicians and music educators. Then, they propose teaching strategies and materials inspired by the psychologists' findings. The volume's twenty-one articles cover the broad issues of "the developing musician", "subskills of musical performance", and "instruments and ensembles".

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    Long description:

    Music educators and practicing musicians have failed to benefit as much as they could from the past two decades of music psychology research. In this volume, Parncutt and McPherson propose to improve the situation by describing new approaches, informed by recent psychological research, to teaching music, learning music, and making music at all educational levels. Each chapter represents the collaboration between a music psychologist and a music educator. The articles begin by outlining music-psychological issues that are probably unfamiliar to musicians and music educators. Then, they propose teaching strategies and materials inspired by the psychologists' findings. The volume's twenty-one articles cover the broad issues of "the developing musician", "subskills of musical performance", and "instruments and ensembles".

    This is a finely produced publication and a tribute to the expertise and, I should think, perseverance of its two editors. Its target audience of music educators and music psychologists will be well pleased and will find much to cite here.

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    Table of Contents:

    Part 1: The Developing Musician
    Music Potential
    Environmental Influences
    Motivation
    Performance Anxiety
    Brain Mechanisms
    Music Medicine
    Part 2: Subskills of Music Performance
    From Sound to Sign
    Improvisation
    Sight-Reading
    Practice
    Memory
    Intonation
    Structural Communication
    Emotional Communication
    Body Movement
    Part 3: Instruments and Ensembles
    Solo Voice
    Choir
    Piano
    String Instruments
    Wind Instruments
    Rehearsing and Conducting

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