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  • The Runaway Bride: Hollywood Romantic Comedy of the 1930s

    The Runaway Bride by Kendall, Elizabeth;

    Hollywood Romantic Comedy of the 1930s

      • GET 8% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 14.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        7 161 Ft (6 820 Ft + 5% VAT)
      • Discount 8% (cc. 573 Ft off)
      • Discounted price 6 588 Ft (6 274 Ft + 5% VAT)

    7 161 Ft

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    Product details:

    • Publisher Cooper Square Press
    • Date of Publication 18 March 2002

    • ISBN 9780815411994
    • Binding Paperback
    • No. of pages312 pages
    • Size 228x153x19 mm
    • Weight 413 g
    • Language English
    • Illustrations 24
    • 0

    Categories

    Short description:

    Kendall's examination of classic comedies from It Happened One Night to The Lady Eve -and the comediennes who starred in them-reveals what these films said about America during the Depression and how they helped Americans get through it.

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    Long description:

    In the 1934 classic It Happened One Night, heiress Claudette Colbert races away from the altar and a conventional marriage and throws herself into a wisecracking rough-and-tumble affair with Clark Gable. The new brand of movies following in the wake of Capra's kooky masterpiece-and the women starring in them-are the focus of Kendall's The Runaway Bride, a look at the films that mirrored the climate of the Great Depression while at the same time helping Americans get through it. Kendall details the collaborations between the romantic comedy directors and the female stars, showing how such films as Alice Adams (with Katherine Hepburn), Swing Time (where Ginger Rogers enjoys "A Fine Romance" with Fred Astaire), The Awful Truth (with Irene Dunne), and The Lady Eve (wherein Barbara Stanwyck's shapely leg repeatedly trips na?ve millionaire Henry Fonda) came to be, and what they said about the 1930s. Written with erudition and enthusiasm, The Runaway Bride is a trip through some of Hollywood's most memorable moments, and a key to the national issues of an era as revealed in its films.

    [The Runaway Bride offers] intriguing analysis of some of the era's most fruitful director-actress collaborations?. [Kendall] writes with flair and intelligence about the creators and works she fancies.

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