• Contact

  • Newsletter

  • About us

  • Delivery options

  • Prospero Book Market Podcast

  • The Oxford Companion to Twentieth-Century Poetry in English

    The Oxford Companion to Twentieth-Century Poetry in English by Hamilton, Ian;

    Series: Oxford Companions;

      • GET 10% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 125.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        59 718 Ft (56 875 Ft + 5% VAT)
      • Discount 10% (cc. 5 972 Ft off)
      • Discounted price 53 747 Ft (51 188 Ft + 5% VAT)

    59 718 Ft

    db

    Availability

    printed on demand

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Clarendon Press
    • Date of Publication 10 February 1994

    • ISBN 9780198661474
    • Binding Hardback
    • No. of pages618 pages
    • Size 243x164x39 mm
    • Weight 1 g
    • Language English
    • 0

    Categories

    Short description:

    This Oxford Companion is really an alphabetically-arranged history of modern poetry, as it has developed in the English-speaking world from the beginning of the century until the present. Edited and introduced by the distinguished British poet Ian Hamilton, it contains contributions by celebrated poet-critics. There are entries on some 1800 individual poets, and over 100 subject-entries, covering all the important magazines, movements, literary terms, and concepts. There is no other reference work of comparable range and depth, or with such lively, detailed, and at times opinionated writing.

    More

    Long description:

    This Companion is both an alphabetically arranged reference work and, in its sum, a history, a map of modern poetry in English. From the last decade of the century, it offers a survey of the terrain, from 1900 to the present, and from Britain and America to New Zealand, Pakistan, Singapore, Trinidad, Zimbabwe - anywhere, if fact, where poets write in English. It charts the shift from `poetry' to `poetries' - from primarily British and American traditions to a rich diversity of younger poetic identities elsewhere. The only comprehensive work of its kind, it covers not just individuals - some 1,500 of them - but also magazines, movements, concepts, and critical terms.

    Edited and introduced by Ian Hamilton, himself a notable poet, The Companion to Twentieth-Century Poetry in English has the distinction of including among its contributors many other celebrated poet-critics, often in intriguing author/subject combinations. Encounter, for example, Seamus Heaney writing on Robert Lowell, Dan Jacobson on Thomas Hardy, Jon Stallworthy on Rupert Brooke, Carol Rumens on Edith Sitwell, Andrew Motion on Edward Thomas, and Anne Stevenson on Sylvia Plath. These and other writers offer lively and opinionated critical assessments as well as biographical and bibliographical information. And, as one soon discovers, twentieth-century poets have lived far from humdrum lives. Twenty-seven here had nervous breakdowns, nineteen served time in jail, fourteen died in battle, three were murdered, one executed. One played hockey for his country. There were fifteen suicides, and one poet who staged his own death only to reappear, still writing poetry, under a new name.

    'The field covered by this well-researched volume is enormous ... There are intriguing poet-as-critic sections (Jon Stallworthy, for example, writing about Rupert Brooke, or Seamus Heaney on Robert Lowell - the American poet - an analysis which is wonderfully revealing).'
    Richard Edmonds, The Birmingham Post

    More
    0