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  • The N-Word in Music: An American History

    The N-Word in Music by Mealy, Todd M.;

    An American History

      • GET 8% OFF

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      • Publisher's listprice EUR 49.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        20 322 Ft (19 355 Ft + 5% VAT)
      • Discount 8% (cc. 1 626 Ft off)
      • Discounted price 18 697 Ft (17 807 Ft + 5% VAT)

    20 322 Ft

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    Product details:

    • Publisher McFarland

    • ISBN 9781476687063
    • Binding Paperback
    • No. of pages pages
    • Size 229x152 mm
    • Weight 365 g
    • Language English
    • 0

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    Short description:

    This weighty and engaging look at the English language&&&8217;s most explosive slur, described by scholars as the &&&8216;atomic bomb&&&8217; of bigoted words, traces the N-word&&&8217;s journey through various music genres and across generations. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras.

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    Long description:

    The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery.

    This weighty and engaging look at the English language&&&39;s most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word&&&39;s journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock &&&39;n&&&39; roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur&&&39;s meaning and spelling.

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