The London Journal, 1845-83
Periodicals, Production and Gender
Series: The Nineteenth Century Series;
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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 28 February 2004
- ISBN 9780754633433
- Binding Hardback
- No. of pages286 pages
- Size 234x156 mm
- Weight 566 g
- Language English 0
Categories
Short description:
This book is the first full-length study of one of the most widely read publications of Victorian Britain, the London Journal, inserting the story of this magazine into the wider context of the Victorian mass-market periodical. It draws on traditional modes of scholarship in history, art history, and literature as well as on developments in sociology, psychoanalysis, and cultural theory. However, the author ultimately relies on new and extensive primary research to ground the changing ways in which the reading public became consumers of literary commodities on a scale never before seen. Previous commentators have coded the mass market as somehow always 'feminine', and King offers a genealogy of how such a gender identity came about. Finally, King recontextualizes within the Victorian mass market three key nineteenth-century novels-Walter Scott's Ivanhoe, Mary Braddon's Lady Audley's Secret, and Émile Zola's The Ladies' Paradise-and in so doing suggests radically new and unexpected meanings.
MoreLong description:
This book is the first full-length study of one of the most widely read publications of nineteenth-century Britain, the London Journal, over a period when mass-market reading in a modern sense was born. Treating the magazine as a case study, the book maps the Victorian mass-market periodical in general and provides both new bibliographical and theoretical knowledge of this area. Andrew King argues the necessity for an interdisciplinary vision that recognises that periodicals are commodities that occupy specific but constantly unstable places in a dynamic cultural field. He elaborates the sociological work of Pierre Bourdieu to suggest a model of cultural 'zones' where complex issues of power are negotiated through both conscious and unconscious strategies of legitimation and assumption by consumers and producers. He also critically engages with cultural theory as well as traditional scholarship in history, art history, and literature, combining a political economic approach to the commodity with an aesthetic appreciation of the commodity as fetish. Previous commentators have coded the mass market as somehow always 'feminine', and King offers a genealogy of how such a gender identity came about. Fundamentally, however, the author relies on new and extensive primary research to ground the changing ways in which the reading public became consumers of literary commodities on a scale never before seen. Finally, King recontextualizes within the Victorian mass market three key novels of the time - Walter Scott's Ivanhoe (serialised in the London Journal 1859-60), Mary Braddon's Lady Audley's Secret (1863), and a previously unknown version of Émile Zola's The Ladies' Paradise (1883) - and in so doing he lends them radically new and unexpected meanings.
'... King has taken on the task of correcting this historiographic imbalance by thoroughly excavating some of the more obscure purlieus of mid-nineteenth century Grub Street, and nearly every page of the book bears witness to the assiduity and ingenuity of his primary research... a detailed and illuminating contribution to the expanding list of books dealing with various aspects of Victorian print culture published as part of Ashgate’s impressive 'The Nineteenth Century' series.' SHARP News '... remarkable study. Its comprehensiveness and interdisciplinarity are likely to make it attractive to scholars in such diverse fields as media history, library science, cultural studies, journalism, and literary studies. King makes a convincing case for the London Journal as a key text in the history of the mass media, and provides a variety of interpretative tools that scholars are likely to find useful as they continue to explore the vast field of Victorian journalism.' The Library 'Andrew King has succeeded in writing a well-informed and thought-provoking study that breaks new ground, particularly in the way it balances theoretical insights with more traditional periodical historiography.' Victorian Periodicals Review ’Andrew King's detailed examination of the production and reception of the London Journal during the mid-nineteenth century offers an excellent model for analyses of literary periodicals...’ Script and Print
Table of Contents:
Contents: Preface; Part 1 Periodical Discourse: Periodical questions; Periodical titles; or, 'The London Journal' as a signifier. Part 2 Periodical Production; 1845-9. Theoretical issues; or, genre, title, network, space; Cultural numerology; or, circulation, demographics, debits and credits; 1849-57. Moving from the miscellany; or, J.F. Smith and after; 1857-62. When is a periodical not itself? or, Mark Lemon and his successors; 1862-83. The secret of success; or, American women and British men; Part 3 Periodical Gender; or, the Metastases of the Reader: 1845-55. Gender and the implied reader; or, the re-gendering of news; 1863. Lady Audley's secret zone; or, is subversion subversive?; 1868-83. Dress, address and the vote; or, the gender of performance; 1883: The revenge of the reader; or, Zola out and in; Appendix; References; Index.
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