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  • The Labor of Literature – Democracy and Literary Culture in Modern Chile: Democracy and Literary Culture in Modern Chile

    The Labor of Literature – Democracy and Literary Culture in Modern Chile by Griffin, Jane D.;

    Democracy and Literary Culture in Modern Chile

    Series: Studies in Print Culture and the History of the Book;

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      • Publisher's listprice GBP 68.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        32 487 Ft (30 940 Ft + 5% VAT)
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      • Discounted price 29 238 Ft (27 846 Ft + 5% VAT)

    32 487 Ft

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    Product details:

    • Publisher MP–MAS Uni of Massachusetts
    • Date of Publication 30 August 2016
    • Number of Volumes Hardback

    • ISBN 9781625342089
    • Binding Hardback
    • No. of pages248 pages
    • Size 233x155x17 mm
    • Weight 514 g
    • Language English
    • Illustrations 8 illustrations
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    Short description:

    Studies amateur and noncommercial forms of literary production in Chile that originated in response to authoritarian state politics and have gained momentum throughout the postdictatorship period. Jane D. Griffin argues that such forms advance a model of cultural democracy that differs from and sometimes contradicts the model endorsed by the state and the market.

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    Long description:

    By producing literature in nontraditional forms—books made of cardboard trash, posters in subway stations, miniature shopping bags, digital publications, and even children’s toys—Chileans have made and circulated literary objects in defiance of state censorship and independent of capitalist definitions of value. In The Labor of Literature Jane D. Griffin studies amateur and noncommercial forms of literary production in Chile that originated in response to authoritarian state politics and have gained momentum throughout the postdictatorship period. She argues that such forms advance a model of cultural democracy that differs from and sometimes contradicts the model endorsed by the state and the market.

    By examining alternative literary publications, Griffin recasts the seventeen-year Pinochet dictatorship as a time of editorial experimentation despite widespread cultural oppression and shows how grassroots cultural activism has challenged government-approved corporate publishing models throughout the postdictatorship period. Griffin’s work also points to the growing importance of autogestión, or do-it-yourself cultural production, where individuals combine artisanal forms with new technologies to make and share creative work on a global scale.

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