The Interethnic Imagination
Roots and Passages in Contemporary Asian American Fiction
Series: Imagining The Americas;
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37 474 Ft
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Product details:
- Publisher OUP USA
- Date of Publication 14 January 2010
- ISBN 9780195377361
- Binding Hardback
- No. of pages216 pages
- Size 244x163x21 mm
- Weight 468 g
- Language English 0
Categories
Short description:
In the wake of all that is changing in local and global cultures - in patterns of migration, settlement, labor, and communications--a radical interaction has taken place that, during the last quarter of the twentieth century, has shifted our understanding of ethnicity away from 'ethnic in itself' to 'ethnic amidst a hybrid collective'. In light of this, Caroline Rody proposes a new paradigm for understanding the changing terrain of contemporary fiction. She claims that what we have long read as ethnic literature is in the process of becoming 'interethnic'. Examining an extensive range of Asian American fictions, The Interethnic Imagination offers sustained readings of three especially compelling examples: Chang-rae Lee's ambivalent evocations of blackness, whiteness, Koreanness, and the multicultural crowd in Native Speaker; Gish Jen's comic engagement with Jewishness in Mona in the Promised Land; and the transnational imagination of Karen Tei Yamashita's Tropic of Orange. Two shorter "interchapters" and an epilogue extend the thematics of creative "in-betweenness" across the book's structure, elaborating crossover topics including Asian American fiction's complex engagement with African American culture; the cross-ethnic adoption of Jewishness by Asian American writers; and the history of mixed-race Asian American fictional characters.
MoreLong description:
In the wake of all that is changing in local and global cultures-in patterns of migration, settlement, labor, and communications-a radical interaction has taken place that, during the last quarter of the twentieth century, has shifted our understanding of ethnicity away from 'ethnic in itself' to 'ethnic amidst a hybrid collective'. In light of this, Caroline Rody proposes a new paradigm for understanding the changing terrain of contemporary fiction. She claims that what we have long read as ethnic literature is in the process of becoming 'interethnic'. Examining an extensive range of Asian American fictions, The Interethnic Imagination offers sustained readings of three especially compelling examples: Chang-rae Lee's ambivalent evocations of blackness, whiteness, Koreanness, and the multicultural crowd in Native Speaker; Gish Jen's comic engagement with Jewishness in Mona in the Promised Land; and the transnational imagination of Karen Tei Yamashita's Tropic of Orange. Two shorter "interchapters" and an epilogue extend the thematics of creative "in-betweenness" across the book's structure, elaborating crossover topics including Asian American fiction's complex engagement with African American culture; the cross-ethnic adoption of Jewishness by Asian American writers; and the history of mixed-race Asian American fictional characters.
MoreTable of Contents:
The Interethnic Paradigm and the Case of Asian American Fiction Interchapter: Asian/African: Black Presences in Asian American Fiction
"With Darkness Yet": Chang-rae Lee's Native Speaker, Blackness, and the Interethnic Imagination
Letters from Camp Gugelstein: Interethnicity and Jewishness in Gish Jen's Mona in the Promised Land Interchapter: Cross-ethnic Jewishness in Asian American and Other Contemporary Fiction
Karen Tei Yamashita's Tropic of Orange, Interethnicity, and the Transnational Imagination
