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  • The Imperial Trace: Recent Russian Cinema

    The Imperial Trace by Condee, Nancy;

    Recent Russian Cinema

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      • Publisher's listprice GBP 76.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        36 309 Ft (34 580 Ft + 5% VAT)
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      • Discounted price 32 678 Ft (31 122 Ft + 5% VAT)

    36 309 Ft

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    Product details:

    • Publisher OUP USA
    • Date of Publication 8 October 2009

    • ISBN 9780195366761
    • Binding Hardback
    • No. of pages360 pages
    • Size 236x155x22 mm
    • Weight 567 g
    • Language English
    • Illustrations 20 halftones
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    Long description:

    The collapse of the USSR seemed to spell the end of the empire, yet it by no means marked the end of Russia's enduring imperial preoccupations, extending over four and a half centuries since the reign of Ivan IV. Is there such a thing as an imperial trace in Russia's contemporary culture? Condee argues that we cannot make sense of contemporary Russian culture without accounting for its imperial legacy and mapping out the terms of such an analysis. She turns to the instance of contemporary cinema to focus this line of inquiry. Within film (and implicitly other cultural fields as well) do we limit our accounting to narrative evidence-Chechen wars at the periphery, historical costume dramas of court life-or could an imperial trace be sought in other, more embedded ways, in the manner and structure or representation, the conditions of productions, the recurrent preoccupations of its leading filmmakers, the ways in which collective belonging is figured or disfigured? This book organizes these questions around the work of Russia's internationally ranked auteurs of the late Soviet and post-Soviet period: Kira Muratova, Vadim Abdrashitov, Nikita Mikhalkov, Aleksei German, and Aleksandr Sokurov.

    The Imperial Trace is hands down the most thought-provoking book that I have read in quite some time. It is as well (and wittily) written as it is thoroughly researched and skillfully argued, no mean feat given the complexity of the ideas therein. This superb book is essential reading for anyone interested in nations and empire and their cultural manifestations, in Russian cultural politics, and in late Soviet and contemporary Russian film.

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    Table of Contents:

    List of Illustrations
    Acknowledgements
    Introduction: Custodian of the Empire
    Cine-Amnesia: How Russia Forgot to Go to the Movies
    Mikhalkov: European but Not Western
    Muratova: The Zoological Imperium
    Abdrashitov-Mindadze: A Comuunity of Somnambulants
    Sokurov: Shuffling Off the Imperial Coil
    German: Forensics in the Dynastic Capital
    Balabanov: The Metropole's Death Drive
    Postscript
    References
    Index

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