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  • The Future of Memory – A History of Lossless Format Standards in the Moving Image Archive: A History of Lossless Format Standards in the Moving Image Archive

    The Future of Memory – A History of Lossless Format Standards in the Moving Image Archive by Jones, Jimi; Jancovic, Marek;

    A History of Lossless Format Standards in the Moving Image Archive

    Series: The History of Media and Communication;

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      • Publisher's listprice GBP 88.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        42 042 Ft (40 040 Ft + 5% VAT)
      • Discount 10% (cc. 4 204 Ft off)
      • Discounted price 37 838 Ft (36 036 Ft + 5% VAT)

    42 042 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher MO – University of Illinois Press
    • Date of Publication 8 July 2025
    • Number of Volumes Hardback

    • ISBN 9780252046650
    • Binding Hardback
    • No. of pages216 pages
    • Size 229x152x15 mm
    • Weight 398 g
    • Language English
    • Illustrations 12 black & white photographs, 4 tables
    • 668

    Categories

    Long description:

    A new generation of video standards promises lossless storage of digital objects for future generations. Jimi Jones and Marek Jancovic document the development and adoption of JPEG 2000, FFV1, MXF, and Matroska while investigating the social and material aspects of their design and the forces driving their journeys from niche to ubiquity.

    Drawing on interviews with archivists and developers, Jones and Jancovic reveal the archive as a dynamic space where deeply entrenched social practices produce disagreements but also resourceful collaborations. They contrast the unprecedented rise of archivist-driven standardization and controversies around non-standard technology with the historical dominance of the film and broadcast industries. Throughout, the authors clarify the role of tech companies, software developers, film pirates, hackers, and other players with poorly understood roles in the process.

    A timely look at the state of audiovisual preservation, The Future of Memory provides a history of recent innovations alongside a snapshot of a field in the midst of profound technological change.

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