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  • The Film Cheat: Screen Artifice and Viewing Pleasure

    The Film Cheat by Pomerance, Murray;

    Screen Artifice and Viewing Pleasure

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      • Publisher's listprice GBP 110.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        52 552 Ft (50 050 Ft + 5% VAT)
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    52 552 Ft

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    Product details:

    • Publisher Bloomsbury Academic
    • Date of Publication 15 October 2020
    • Number of Volumes Hardback

    • ISBN 9781501364990
    • Binding Hardback
    • No. of pages384 pages
    • Size 228x152 mm
    • Weight 676 g
    • Language English
    • Illustrations 48 bw illus
    • 104

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    Long description:

    Murray Pomerance, venerated film scholar, is the first to take on the 'cheat' in film, where 'cheating' constitutes a collection of production, performance, and structuring maneuvers intended to foster the impression of a screen reality that does not exist as presented. This usually calls for a suspension of disbelief in the viewer, but that rests on the assumption that disbelief is problematic for viewership, and that we must find some way to "suspend" or "disconnect" it in order to allow for the entertainment of the fiction in its own terms.

    The Film Cheat explores forty-five aspects of the 'cheat,' analyzing classic films such as Singin' in the Rain and Chinatown, to more contemporary films like The Revenant and Baby Driver, with Pomerance engaging his encyclopedic knowledge of film history to point out numerous instances of suspensions of disbeliefs. Whether or not Gene Kelly is actually dancin' in the rain, or if Elliott is really flying on his bicycle carrying E.T., these cheats are what make movie magic.

    Elegantly weaving the narrative for one to dip into at random or to read from cover to cover, Pomerance turns things upside down so that the audience actually finds pleasure in the cheat itself, pleasure in the disbelief. To see the elegant fake, the supremely accomplished simulacrum is a pleasure in its own right, indeed one of the fundamental pleasures of cinema.

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    Table of Contents:

    Preamble: The Viewer as "Mark"
    Of Scripts
    1. Yesterdays
    2. Tomorrow and Tomorrow and Tomorrow
    3. Narrative Transparency
    4. The Cheating Cut
    5. Narrative Opacity
    6. The Narrator Hides
    7. Taxi Cheat
    8. And Here Endeth my Tale
    9. Only Pretending
    10. Keeping Minutes
    Of Performing
    11. Monster!
    12. A Star, Not a Star
    13. Pain
    14. Measuring Up
    15. Privacy
    16. Signed
    17. Keyed Up
    18. Don't Believe It
    19. "I Love You"
    20. Surrender
    Of Cameras
    21. Corral
    22. Show Me
    23. On the Road
    24. "Good Cinematography"
    25. "Look at the Picture"
    26. Peek-a-Boo
    27. Moving On
    28. Behind the Camera Behind
    29. All the Way Not to Holland
    Of Scenes
    30. No There There
    31. Where are We?
    32. Walk on the Wild Side
    33. Happy Trails
    34. The Thing
    35. Heist
    36. The Reality Effect
    37. Stand-ins
    38. A Superheroic Universe
    Of Cuts
    39. Believe in Me
    40. Over Thames
    41. Something is Happening
    42. Veni creator spiritus
    43. "Bite the Dust"
    44. Reflect on That
    45. Presence and Presentation
    46. By Contrast
    47. The Blood Effect
    48. Our Cheating Heart: Not an Introduction
    Bibliography
    Index

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