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  • The Concept of Music

    The Concept of Music by Maconie, Robin;

    Series: Clarendon Paperbacks;

      • GET 10% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 88.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        42 042 Ft (40 040 Ft + 5% VAT)
      • Discount 10% (cc. 4 204 Ft off)
      • Discounted price 37 838 Ft (36 036 Ft + 5% VAT)

    42 042 Ft

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    Availability

    printed on demand

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Clarendon Press
    • Date of Publication 7 October 1993

    • ISBN 9780198163886
    • Binding Paperback
    • No. of pages198 pages
    • Size 215x138x12 mm
    • Weight 254 g
    • Language English
    • Illustrations 1 figure
    • 0

    Categories

    Short description:

    In this brilliant and thought provoking book Robin Maconie seeks the answers to fundamental questions about the nature and role of music. He examines acoustics, composition, music history, and psychology, integrating music and scientific research in a new evaluation of the topic. He argues passionately for a reappraisal of music, not as mere entertainment, but as something basic to our experience of listening and communicating in sound, and as an art which has exerted a profound influence on society.

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    Long description:

    What is music for? How does it work? What can it teach us? Intuitively, we feel there must be answers to such questions, but they tend to be scattered throughout a wide range of different areas of study, from acoustics to music history, from psychology to composition. In this brilliant and thought-provoking book Robin Maconie seeks the answers to these and other fundamental questions about music, integrating music and appropriate scientific research in a new evaluation of his topic. In so doing he argues passionately for a reappraisal of music, not as mere entertainment, but as something basic to our experience of listening and communicating sound, and an art which has exerted a profound influence on society.

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    Table of Contents:

    Communication; The pleasure of hearing; Looking and listening; Sound vibrations; Attraction; Sounds like reality; Orchestra; Time; Space; Belief systems; Scales; Melody, harmony, tonality; Notation; Ornamentation; Instruments; Sharps and flats; Enclosures; Palladio; Dissonance; Applause; Select bibliography; Index

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