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  • The Aesthetics of Design

    The Aesthetics of Design by Forsey, Jane;

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      • Publisher's listprice GBP 43.49
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        20 777 Ft (19 787 Ft + 5% VAT)
      • Discount 10% (cc. 2 078 Ft off)
      • Discounted price 18 699 Ft (17 808 Ft + 5% VAT)

    20 777 Ft

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    Product details:

    • Publisher OUP USA
    • Date of Publication 31 March 2016

    • ISBN 9780190600426
    • Binding Paperback
    • No. of pages288 pages
    • Size 208x140x20 mm
    • Weight 358 g
    • Language English
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    Short description:

    The Aesthetics of Design offers the first full treatment of design in the field of philosophical aesthetics, challenging the discipline to broaden its scope to include the quotidian objects and experiences of our everyday lives and concerns. In doing so, it contributes to the growing field of Everyday Aesthetics.

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    Long description:

    The Aesthetics of Design offers the first full treatment of design in the field of philosophical aesthetics. Aesthetic theory has traditionally occupied itself with fine art in all its forms, sometimes with craft, and often with notions of beauty and sublimity in art and nature. In so doing, it has largely ignored the quotidian and familiar objects and experiences that make up our daily lives. Yet how we interact with design involves aesthetic choices and judgements as well as practical, cognitive and moral considerations. This work challenges the discipline to broaden its scope to include design, and illustrates how aesthetics helps define our human concerns.

    Subjecting design to as rigorous a treatment as any other aesthetic object exposes it to three main challenges that form the core of this book. First, design must be distinguished from art and craft as a unique kind of object meriting separate philosophical attention, and is here defined in part by its functional qualities. Second, the experience of design must be defended as having a particularly aesthetic nature. Here Forsey adapts the Kantian notion of dependent beauty to provide a model for our appreciation of design as different from our judgements of art, craft and natural beauty. Finally, design is important for aesthetics and philosophy as a whole in that it is implicated in broader human concerns. Forsey situates her theory of design as a constructive contribution to the recent movement of Everyday Aesthetics, which seeks to re-enfranchise philosophical aesthetics as an important part of philosophy at large.

    There is a lot more that can be, and hopefully will be, said about Forsey's book. It is definitely a timely book that provides food for thought to everyone interested in design and Everyday Aesthetics.

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