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    Teaching and Learning Shakespeare through Theatre-based Practice

    Teaching and Learning Shakespeare through Theatre-based Practice by Irish, Tracy; Kitchen, Jennifer;

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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

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    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher The Arden Shakespeare
    • Date of Publication 25 January 2024
    • Number of Volumes Paperback

    • ISBN 9781350292048
    • Binding Paperback
    • No. of pages216 pages
    • Size 232x156x12 mm
    • Weight 360 g
    • Language English
    • 582

    Categories

    Long description:

    How can the study of Shakespeare contribute to equipping young people for the challenges of an uncertain future?

    This book argues for the necessity of a Shakespeare education that: finds meaning in the texts through inviting in the prior knowledge, experiences and ideas of students; combines intellectual, social and emotional learning; and develops a critical perspective on what a cultural inheritance is all about. It offers a comprehensive exploration of the educational principles underpinning theatre-based practice and explains how and why this practice can open up the possibilities of Shakespeare study in the classroom. It empowers Shakespeare educators working with young people aged 5-18 to interact critically, creatively and collaboratively with Shakespeare as a living artist.

    Drawing on the authors' research and experience with organizations including the Royal Shakespeare Company, Shakespeare's Globe, the Folger and Coram Shakespeare Schools Foundation, Part One consolidates recent developments in the field and engages in lively dialogue with core questions of Shakespeare's place in the classroom. Part Two curates a series of interviews with leaders and practitioners from the above and other Shakespeare institutions, exploring their core principles and practices. Part Three presents chapters from and about classroom teachers, who share their experiences of successfully embedding theatre-based approaches to Shakespeare in their own diverse contexts.

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    Table of Contents:

    Notes on Contributors
    Foreword, James Stredder
    Acknowledgements
    Note on the Text

    Introduction

    Part 1: Perspectives from Multidisciplinary Research

    Chapter 1: The Pedagogy Question
    Chapter 2: The Cultural Capital Question
    Chapter 3: The Literature Question
    Chapter 4: The Language Question

    Part 2: Perspectives from Organizations and Practitioners

    Chapter 5: Perspectives from Organizations and Practitioners: Introduction
    Chapter 6: Aims, Scope and Areas of Focus
    Chapter 7: On Teaching, Schools, and Culture
    Chapter 8: Why Shakespeare?

    Part 3: Perspectives from the Classroom

    Chapter 9: Perspectives from the Classroom: Introduction
    Chapter 10: Dirty Shakespeare: Outdoor Learning with Primary Pupils, Mary Carey (Primary School Teacher, Channel Islands)
    Chapter 11: How Relevant is Shakespeare in an International School Context?, Judith Berends O'Brien (Secondary School Teacher, international)
    Chapter 12: Macbeth: Utilising Students' Code-Switching as a Tool for Engaging with Shakespeare at Secondary Level, Kirsty Emmerson (Secondary School Teacher, UK)
    Chapter 13: Salvaging the Bard: A Success Story of Theatre-based Practice for Neurodiverse Learners, Eleni Kmeic (International Theatre & Dance Project, Greece and ICON-School for the Arts, USA)
    Chapter 14: Transference and Integration: Using Shakespeare to Teach Composition, Carol Parker (Pikes Peak State College, USA)
    Chapter 15: Theatre-based Pedagogy in a 'Knowledge-based' Curriculum: Perspectives from Initial Teacher Education, Karen McGivern (Teacher Educator)
    Chapter 16: Much Ado about Decolonizing Shakespeare, Nobulali Dangazeli (ShakeXperience, South Africa)

    Epilogue
    References
    Index

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